Archive for November, 2013

On Reflection: Witchnames

Posted in Occultism, Paganism, The Path of Flames, Traditional Witchcraft with tags , , , , , , , on November 24, 2013 by Sypheara

The idea or concept of a Witchname has never been an appealing to me. However, recent events have forced me to re-evaluate my take on it, and I thought it would make for an interesting, small post. A quick and to the point explanation for those who have not come across the concept:  A witchname is a name taken or given by a witch to describe their magickal self identity.

You can come across such a concept in in multiple places, and I was introduced myself to it through reading different source materials.  It is often approached in several, widely differing ways across traditions, which vastly alters the meaning and reasons behind having having one. Again, to keep it short, I will describe both extremes of the spectrum, although it is to be reminded that most traditions and schools fall somewhere in between these two examples.

At the most extreme, a witchname is said to be the literal, true magickal name of the practioner.  To know somethings true name, is said to have complete control over it, and examples of this type of approach can be found in several older  demonological  texts and other even older sources which predate industrial society. This is said to be a self awakening experience, said to give control over your own self in a much greater, more concious way, and be a secret to hold exceptionally guarded. A witchname is in this sense supposed to  be given or otherwise discovered, and is not self given as its a property belonging to said practitioner beyond their control.

AstarothSigil

The Sigil of Astaroth. Sigils can also be seen as a form of true name in symbolic form.

At the most open, and at the opposite extreme, is where the witchname is self given, and acts as a simple pseudonym. This pseudonym is adopted often for many various reasons, usually to separate or abstract the persons magickal identity or activities away from their regular everyday self. This is said to elevate the magickal side of a person, whilst helping them separate from the mundane when carrying out workings so that they can be more effective. Often, this name is used for all activities, is not kept secret, and is often used in a public space. This can be seen in many online communities, where users often use their witchname, in this sense, as also their viewable username.

Although knowing of it, I have never been one for the concept of the witchname. Although holding some sympathy with the first concept, and believing it is technically possible, I have always regarded witchnames with suspicion. This has come from meeting other practitioners who are very vocal about their witchnames. Many of these people have left me with the impression that such a name was only adopted to fuel the ego – not due to some internal discovery, spirit or god given gift, or for practical application.  Also, from a personal standpoint, I feel no need to outside of ritual to dramatise my belief, believing that this can often do great harm to the path by making it seem frivolous or pure self indulgence.

As such, the whole concept was although not forgotten, certainly not dwelt upon. After finishing my second journal, I was at a loss at how to start the other despite having plenty to actually write up. How would i begin? Locked in this thought pattern for several weeks, I finally had a break through of a sorts. On the night of the Frosty Moon, I was wide awake for the majority of the night time, unable to sleep in any way. Thus annoyed, I continued to try and sleep with little success, until I eventually passed out for a duration of perhaps 40 minutes sometime very late on in the morning as the sun was almost risen.

themightydead

The Mighty Dead, artist unknown

I immediately found myself in a powerful dream, in which I was sucked through and into the spirit box I had constructed for Samhain. I followed this dark tunnel for awhile and found myself standing in a clearing amidst a dark wood, with a pale, sickly blue sky.  In the centre, I could see a figure tied to a stone table that was inclined at a 45 degree angle. Looking closer, I could see that this figure was infact myself, or a form of myself that I often use whilst travelling. Briefly described this form is faun like with notable differences. It possesses horns similar to a gazelles, and large wings that are feathered, but bat like.  Its skin is ivory white, contrasting against the black shadowlike fur and black veins and markings. This was the first time me seeing this body from an outside perspective, and I could see the serpent like eyes vacant –  open, with the colours shifting within them dulled. I moved towards the shell and began to step into it, merging my form with it. Once this weird, but not unfamiliar process was mostly complete, I could see from my new eyes. Removing the bounds of the form that kept it tied to the table, I tried to move off. 

Immediately, I could feel a cool rush of wind and black forms rose up from the base of the pedestal, with a hissing. These forms assumed the forms of shadow like figures, in the main appearing as vaguely female in shape. They surrounded me, touching me across the flesh, being at the same time warm and ice cold, leaving temporary marks across the flesh. Repeatedly, they whispered a name repeatedly into my ear. The word was clear and distinct, penetrating my being as it was spoken. This got louder, and more intense, with several of the forms passing in and through my own body. I was overcome with a feeling that they were calling to me, with a name that refered to me that I had never encountered. This persisted for what seemed like at least ten to fifteen minutes, before they grew quiet, their forms dissolved, and they sank back into the ground.

shadowwoman

Shadow Person, artist unknown

With this, I attempted to stand from my stone support but felt incredibly drained, and fell to the ground. The impact startled me into actually waking back into normal awareness with a large jump.  Analysing this experiment in context, much of my previous assumptions, perhaps unfair ones in light of this event, have been removed.

Having my own experience of what I believe to be the Mighty Dead speak to me what is effectively a kind of witchname has made me look upon the concept with renewed interest and as an avenue for future exploration. The inspiration from this experience cleared my ‘writers’ block, and I plan to make use of the revealed name in future magickal work starting with the beginning of my new journal.

Sounds from the Abyss: Unearthing Forgotten Horrors

Posted in Occultism, Other with tags , , , , , , , , , on November 20, 2013 by Sypheara

I recently had the pleasure of attending Unearthing Forgotten Horrors, a night of awesome ambiental drone / noise and classic cult british horror films. I was invited by one of the bands playing, and being a fan I felt compelled to check it out.

I am glad I did. The staff, organisers, and bands really did pull out the stops and make it an enjoyable night for all, and showcased some really interesting material. I am a fan of Sun o))) and similar bands, so finding out that  local artists not only exist but play live gigs has been awesome.

Whilst I could go into reviewing the event, I’ll save the long post as this is not really the blog to do it on. The reason I mention the event is that from a purely Occult perspective, some of the bands are doing some very interesting things, similar to Cultus Sabbati to those who are familiar with that project. A notable and memorable example from just one band to illustrate is that they buried several of their electronic components used to generate the tracks, such as capacitors, in areas known to have been used as plague pits prior to use in playing/performing their tracks.

The visuals on show were also highly interesting. Some of these were more abstract than others, the powerful psychedelic imagery of Joseph Curwen and Culvers performances coming to mind from memory. I also particularly enjoyed the spoken poetry like tunes of English Heretic exploring a thematic line which revolved around witch cult leader Robert Cochrane’s suicide, coma and eventual death from Belladonna poisoning.

Suitably inspired, I created my own small tribute to the event, using a mix that was given to those who attended featuring the attendant bands. To promote them, and the weird but powerful way in which they generate their compelling sounds, I thought I would try my hand at creating my own visualisation, and contribute in my own, small way to the interesting dynamic expression on display.

I hope you enjoy!

Video

Description

‘Audio Relics was handed out at Unearthing Forgotten Horrors in Newcastle in November 2013. Audio Relics is a mix which combines numerous ambiental drone tracks from the attending artists to create one fearsome wall of noise.

In order of appearance…

The Psychogeographical Commission – The Lost Rivers Of London
Joseph Curwen – Edward Derby
The Dead End Street Band – Murder 1
The Psychogeographical Commission – Walking with Omega
The Dead End Street Band – Murder 2
Black Mountain Transmitter – Crawling Curse
English Heretic – Earth’s Lament to the Stars
Black Mountain Transmitter – Palimpsets
Culver – Hallucinating Hands
Temple of Sehkmet – Enochian Circuits

Mix (Audio Relics) created by Melmoth the Wanderer. More info and original track upload can be found at:

http://www.mixcloud.com/Melmoth_The_Wanderer/unearthing-forgotten-horrors/

I take no credit for the music or mixing of the audio. Cheers for putting on a great night guys.’

In Closing

 For those who want to know the movies watched at the event and where some of the samples were taken from, they were ‘ The Stone Tape’ and ‘Blood on Satans Claw’.

~S~

Recommended Reading: Modern Whitewashing

Posted in Other, Paganism, Traditional Witchcraft with tags , , , , , on November 12, 2013 by Sypheara

The watering down, the ‘cleansing’ from Modern Paganism of it’s more ‘unsavory’qualities  has always bothered me. When I began my path, it was an arduous journey to find information which seemed concrete, amidst the apologetic titles which were aimed at ‘white witches’.

These information sources never seemed to relate to my personal path at all – nothing I read in them, when compared to the dreamspaces I had traveled to and the spirits I had talked to seemed to ‘fit’ in any sense. Their  portrayal of a nature or reality without its savage, dark and cruel side seemed to me to be more than simply misrepresentation.  A lie perhaps,  meant to make the content more palatable to sell more books. I feel that these false divisions, which exist purely to satisfy ourselves and our egos, do not help a modern witchcraft in any form. Denying any side(‘light’/’dark’, ‘good’/’evil’ or life and death) is simply self limitation and promotes a dangerous withholding and disarming orthodoxy.

Thankfully, it seems many others share this viewpoint, especially with publications such as Apocalyptic Witchcraft finally being produced. I was recently linked a blog post by a good friend of mine which goes into this on a much deeper level, and I share many sentiments with the person who posted it.

Despite being overly busy, I thought it was far too good to not share.  As such I will post it as it is and let it speak for itself.

http://www.blyssfulwitch.com/the-whitewashing-of-witchery-in-american-neo-paganism-the-taming-of-the-witch/

I hope you all enjoy it, discussion welcomed as always.

~S~

Modus Operandi: Graveyard Workings

Posted in Necromancy, Occultism with tags , , , , , , on November 4, 2013 by Sypheara

This morning, I put the final touches to a working involving the offerings to the Gods of the Arte and Mighty Dead in relation to Samhain. In addition, I can also say with some degree of confidence that the spirit box is completed, and will now hopefully serve its purpose as a housing for them in the future, even outside of the dark seasons of the year.

I intend to write as fully as I can on that process, sharing what I am able, including many pictures from the work itself. However, since I am back at work tomorrow after Samhain break, I unfortunately won’t be able to post that installment until this coming weekend at the earliest.

However, whilst within the graveyard this morning giving the final offerings to the dead and sealing the work, I realised it might be good to share how I operate within the graveyards. What follows is based on my own methods combined with methods I have adopted/learnt from outside sources. Hopefully this will illustrate the importance of having some rules when interacting with the dead. As such, this can be considered a small ‘primer’ for the ritual outlined that will follow in another post,

Background

My attraction to graveyards as places stems from further back than any obvious spiritual connections I can think of, and definitely before I became in any way involved in Paganism or Witchcraft.  It was when I was around 17 when they became attractive places to me, and I often enjoyed visiting them.  I found them hauntingly beautiful, and it was probably these feelings in my period of maximum morbidity that would later nudge me in the direction of spirit work after I had experienced my healing dream. Many of these visits were with a friend of mine, someone I valued higher than any other person at the time, including members of my own family. These activities seemed mostly harmless, and for the most part they were.

However I would later have an horrendous experience visiting a graveyard with said friend. When analysed retrospectively I realise I had made a massive mistake. Without going into all the long and lengthy details, suffice to say that the dead in graveyards, the dark dead, do not enjoy their environment being played in and messed with. On said occasion, after interfering with a particular gravestone, and eating lunch above said grave, there was a very dark change that came over me and my companion. We argued over seemingly small inconsequential things, odd being people that never argued with each other at all.

After the visit, I felt increasingly hopeless, without reason considering the worst had been put behind me at this time, and i was in a more secure position only recently having had my healing dream. The other person reported feeling the same, unnaturally depressed, energyless, and drained after the visit. Although these effects seemingly wore off, the relationship worsened quickly, and soon disintegrated. Other negative things happened, with me seemingly having constant bad luck. It was only several months later after working with Lucifer on that years Halloween that this trend finally seemed to be broken, and my mood and luck finally changed for the better.

Durham_Graveyard__Broken_by_Loupine

Picture from a Graveyard in Durham, United Kingdom. Credit goes to the artist linked

The reason I am relating this? These kind of effects are typical of interference by the Dark Dead, a name referring to the earth bound spirits that have overall negative qualities, and can cause adverse affects on the living. These types of spirits congregate around areas where death is common, graveyards being one of them.
Whilst it would be too much risk of confirmation bias to confirm that indeed this was the case several years after my experience subsided, it has taught me to be much more cautious, respectful, and take seriously places where any kind of spirit dwells, never mind those that can have such negative effects.

Modus Operandi

As such, as soon as I began to work in the graveyard doing necromantic work, I made sure to begin employing several techniques to minimise the risk to myself whilst carrying out said work. I relate these below, with a quick explanation as to why I personally carry them out, I recommend that these are employed whenever working in graveyards, and that the more contact with the Dark Dead specifically sort, additional steps are added to ensure that they are not brought back from where they should remain. These are to be read with the knowledge this is my personal method of working – it likely needed to be adapted depending on how you interact with these spirits or do workings in general.

Ask for permission to enter

Before entering the graveyard, I always either ask for permission to enter from one of the guardians (usually Hecates aspects relating to the dead, or Señor de la Muerte) . This is usually done before leaving the house, and can be performed in many ways. It can be intuitive, with the question simply being asked and internal thoughts scrutinised for any sign, be in a vision or feeling.

In addition or instead of this,  a more concrete method can be employed such as asking a candle,and requesting it to be extinguished before it burns down completely if the working is to be prevented from going ahead. If once asked, indications are that it can go ahead, protection and empowerment is asked for and the working goes ahead.

The alternative is to ask the question before the entrance gate to the cemetery, which although offering usually more clear indication and better results, also is more visible and only suitable when privacy is easily obtainable, such as when the location is seldom visited.

If once asked, indications are that it can go ahead, protection and empowerment is asked for and the working goes ahead. If indications are bad, the working does NOT go ahead, regardless of anything else, and alternative methods and or locations are sought.. The important part is the question is asked in a way that you personally can relate to the power in question, and can get a reliable answer.

 

Enter on the left foot

When crossing the cemetery threshold, doing so on the left foot, whilst proclaiming thanks for permission to work within the graveyard, is an affirmation of your intent showing you accept the opportunity offered to you. The left side of the body in general is often seen as otherwordly and magickal in the occult, and the left side and path is closely connected to some of the Death Gods and spirits in my work. It is therefore much more than a symbolic act, but a reinforcement between my own actions and their higher, commanding natures, allowing me to be empowered through sympathetic action, which is important in magick.

StEbbasGraveyard

St Ebba Graveyard, Ebchester, County Durham. Credit goes to the photographer linked

Don’t steal from the spirits

Do not take anything from the graveyard that could potentially belong to the spirits. To do so would give them a physical link between yourself and them, especially if it is taken back to ones home. The Dark Dead are jealous and possessive, and will take offence to this, and is something I have personally experienced that as related, potentially caused me considerable grief. Even spirits not related to the Dark Dead can require payment, and can themselves become angered in a similar manner. Anything that has been left overnight in such a place becomes ‘claimed’ by them, or otherwise linked to their energies, and cannot be retrieved without being paid for. This includes any personal items you may have forgotten, or otherwise lost accidentally in such a place and have returned to retrieve the next day.

Retrieving items / materials from the Graveyard

Any item that is to be retrieved from a Graveyard must be bought and paid for, and only retrieved as a matter of necessity. The method of buying such items from Graveyards varies significantly depending on what it is you are buying. There are numerous methods of buying graveyard dirt and other items from the graveyard, depending on the spirit being interacted with. Often these revolve around a specific grave, and making a petition to the spirit to give up X item in exchange for gifts, typically coins (See below), distilled beverages, red wines, coffee and tobacco. Burning incense or leaving an equivalent gift is also sometimes practiced. Since graveyard dirt and other items can indeed be needed for certain operations, there will be times when working necromancy items are needed to be acquired from a graveyard in this fashion. Whats important is mostly that some sort of agreement is made with the spirits to retrieve said ingredients, and that they arn’t simply ‘lifted’ and pilfered. I will hopefully be able to post my own variant of this up in the future when it becomes necessary and I have the time.

StOswaldsGraveyard1

St Oswalds Graveyard, Durham. Credit goes to the photographer linked

Leave Three Coins for the Dead

On leaving the graveyard it is customary for me to through threes coins of the same value, usually ‘copper’ rather than ‘silver’ coins, over my left shoulder upon exiting. This is a step learnt from working with the necrosophic currents related to Qayin, and has folk connections that have been researched. The reasons for this seem to differ on who you ask, but I personally believe it is to pay the guardian spirit for its protection and as an offering on leaving for its work and to ensure it restricts any of the Dark Dead from following once you have left the cemetery. As such, I see it as a vital step and always prepare the payment before entering, so  I will not be stuck upon leaving.

Do Not Look Back

This particular rule comes from greek belief, where it is believed that to see spirits following behind a person was to indicate that they too would soon join the ranks of the dead. As such, when a ritual is completed, and exit is become from the cemetary, I never look back, the work having been completed. Once done, it is important that one makes a concentrated attempt to return to the land of the living, and not be distracted or otherwise caught by the influence of the Dark Dead whilst attempting to leave.

Parting Observations

It is always good to remember the practical limitations when working in and around cemeteries. Most people won’t take kindly to you working in them, so it pays to find a location where such encounters can be minimised.  In more built up and populous areas, choosing larger, more spacious cemeteries often helps as I have found that the larger the cemetery, the less likely people are to wonder in / through or otherwise go there especially at night. Whether this a purely psychological thing, or also down to the work of the spirits, I’ll leave up to the reader to decide.  Otherwise finding an out of the way, country location is most likely the most ideal solution, if not always the most realistic.

DSC_0239[1]

Personal picture of my new working graveyard. Densely packed, abandoned  crumbling church, with very few visitors

As usual, hope you have enjoyed this smaller entry. Hopefully it will prove useful, especially when seen in the light of the Samhain spirit box ritual write up to come. In additional, unrelated news,  I will soon be setting up an email address for the blog, in case anyone has any questions they wish to ask they are not comfortable with using the commenting system for. Thanks for reading as always, and I hope everyone enjoyed Samhain as much as I did!

-S-