Archive for Theurgy

The Evolution of The Scorpion God – Soul Baring Work

Posted in Primal Craft, Publications with tags , , , , , , , , , , , , , , , , , , on April 15, 2025 by Sypheara

The Mother Temple has put out several semi-deluxe releases of late, each one a stunning bit of work in its own right.

It was only around last Samhain that I put up a short post here singing the praises of the recently released Beyond Akasha semi-deluxe edition of The Red King.

Thanks to a gruelling bit of graft by the Mother Temple, we’ve now also been blessed with a Beyond Akasha edition of The Scorpion God.

Having had a good week or two to go through the essays and work directly with the Book itself, I feel in a solid place to offer my own thoughts on what strikes me as a definitive edition of an already ground-breaking work.

The pictures taken in this blog post are taken by my wonderful assistant, as we wanted some pictures of our own copy here.

The Front Seal of The Book

Fit for a King — The Physically Embodied Book of Belial

The physical book itself is nothing short of pure luxury. I’ve been fortunate enough, both financially and proximity-wise, to pick up many Primal Craft publications. In my possession is a set of first editions of the Trident Trilogy, along with many of the Volumes of Sacrifice. These sit alongside several deluxe editions of various works — one of my favourites being the truly extravagant copy of The Crown Prince, bound in golden snake-skin.

That said, somehow this supposedly semi-deluxe book still manages to feel in a different league. Its construction is nothing short of exquisite, and it radiates a dense, energetic signature that can be felt even by the uninitiated. Simply put, the book has a commanding presence in the room.

Whilst I’m partial to the ye olde black book of witchcraft, I have a soft spot for editions that bring a rich colour to the table — both literally and figuratively. The earthy brown tones, set against gold foil, combine with evocative seals to instantly draw the eye. The quality of the paper, ink, sigilisation, and binding is second to none, even compared to past offerings. The ink itself is unbelievably thick and potent, the illustrations acting as gateways to the eye, pulling the reader in.

This is certainly the exact opposite of a ‘dead text’ — the whole thing feels palpably alive, inside and out. It begs to be touched, read, and interacted with.

The Spine of The Book

The Scorpion Familiar of the Work

Before I tackle the extremely important additions to the text itself, I feel I must first briefly relate my own direct working with the book. Each individual copy of this edition, it is said, comes powerfully ensouled with an attached Scorpion Familiar.

The circumstances of my own copy’s arrival seemed to necessitate working with this spirit. It was a compulsion — quite simply, an urge that hadn’t accompanied similar gateways previously woven into past works.

As such, the instructions given for this were carried out to the letter: blood placed within the blank area beneath the number, and to the left of the scorpion’s stinger seal on the back pages. A personal call to Belial to release the Scorpion Familiar was made. This was granted, and the being came forth into my aura. Needless to say, the power released was immense, exceeding expectations. It verified for me the presence of the Scorpion Familiar within the work itself beyond a shadow of a doubt — as I physically saw it come through the opened vortex within the book.

The physical strength brought on by the possessive merging with this Scorpion is something I’ve yet to experience elsewhere in my work. To be clear — it had a tangible effect on my body, flooding it with vitality and supercharging its capacity for regeneration. This wasn’t something I had anticipated, for I had called it forth primarily to unblock certain ways and guard the temple space specifically. Nevertheless, it was a highly welcome side effect.

I won’t dwell too long on the personal side — to keep silent, after all, is an axiom — but I offer this to demonstrate that the book itself can be utilised as an important ritual tool. This is but one of the ways laid out somewhat openly for practitioners to engage with.

The Introductory Page to the New Content

Old and New — Ground-breaking Content

The original Scorpion God text, to me, will always be a timeless classic. When I first perused it, it was a confrontational read in many respects — as at that time in my practice, I was frankly extremely sceptical of the Atlantean connection. By the time I’d reached the end, I was fully convinced. The sheer depth, the palpably lived experience of travelling that path and putting it to paper was, to be frank, compelling. It opened up a huge universe of exploration within my own work, from a gnosis perspective alone — as it provided the core context that filled out the requisite picture of the current as a whole.

Heading into the semi-deluxe edition, I kept that experience firmly in mind. It was a joy to see the original text preserved in full. And it’s joined, in my view, by some extremely important additions — each worthy of individual comment. My original intention was to give a general overview, but to do so would be a disservice to these entries.

The Wisdom of Belial: Forging the Soul in the Realm of Atlantean Gods

The essays open strongly with clarifications on Belial’s true nature, as well as the hidden, occult purpose of the text itself. Of particular importance to me is the further explanation, spelled out in black and white, that the very planet itself is the Flesh of Belial.

This is major. Whilst this was explored more fully in the Volumes of Sacrifice, having that context placed back solidly into The Scorpion God, alongside a deep explanation of the formation of the Four Pillars of Fire — how and why it was channelled, earthed, and brought forth in this way — is absolute gold.

For those who like to dig deep, there’s a good deal of important Primal Craft-specific gematria scattered through this, which is explicitly touched on in the following essay.

Atlantean Devil Queen

This essay is a thorough examination of the nature of Sepheranz and how to safely approach her.

I honestly feel this is an essential addition — clarifying Sepheranz’s role, importance, nature, and history within the current. Whilst this was covered at length in Volumes of Sacrifice, having it so clearly laid out within The Scorpion God offers a perfect counterbalance to the raw, primal face of her that we see in the parent text. We get to witness the many facets that make up this beautiful, terrifying goddess.

But that’s not all — here we also find what I believe to be the most concise and complete account of the history of creation within the written Primal Craft tomes. As such, it feels like an invaluable contribution in its own right, placing the lost history into full context. This alone would make it a standout entry for me.

Personally, I understand how intimidating she can be to work with. For many years, in fear, I avoided working with her until I one day felt compelled to place her blooded seal upon my altar. It felt simple it was no longer appropriate to deny her a place within my growing praxis.

The advice offered here — to first approach her more exoteric (but still ferocious) face as the Daughter of War, Conquest and Flame — and the exposition given on that aspect will, I think, be a great help to many who, like me, harboured an earlier fear of incorporating her into their craft. This is essential for fully working the current.

There’s also a fine exploration of Primal Craft gematria here, particularly detailing the Formula of the Apocalypse at both macro and microcosmic levels. This deserves to be thoroughly read, understood, and applied in praxis.

Faces of a King

I first read Faces of a King many years ago in the original Devoted, and it’s a pleasure to see it returned to the Primal Craft fold. This fascinating essay shows the early stages of Mark’s work with Belial. In contrast with the main text, it offers valuable insight and brings a large humanising element  — something that extends to all these clearly deeply personal revelations.

This particular entry does much to dispel misconceptions about Belial’s supposed ‘malicious’ nature — revealing such an angle as absurd, as the Great King facilitates a deeply primal form of justice. The essay is aptly named, as we’re treated to many multifaceted faces of Belial here, figuratively and literally.

There’s also some excellent detail on the Moires (the Fates), which I think will be of great use to the devotee. For those able to read between the lines, it also reveals important aspects of the arte of evocation — and why in our craft, we do not pursue the ‘force and coercion’ method of evoking.

This text had a profound impact on me as a much younger man, and it became the spur for creating my own evocation ritual to contact this great entity directly. I’ve never regretted it.

The Immortal Flesh, detailing work with the Book of the Dead, pg 328

The Amber Chamber

If Faces of a King served as preparation, the next two essays are, in my view, some of if not the rawest and most soul-baring ever put to paper in our current.

The Amber Chamber is a deep dive into the Atlantean God Lommos and his first encounters with the author. It reveals the side effects of what is, frankly, soul-transformative work at the highest level, while also making public, for the first time, the Temple High Priestess of our Arte, detailing her critical role. That alone would mark this essay out as special — but combined with the full Atlantean context, it becomes nothing short of revelatory.

The Temple High Priestess’ harrowing experience with Lommos forms the core of this piece, unfolding rapidly in a manner both raw and confronting. The essay first details the preconditions for the event it describes — the formation of the bloodstone gate and the shattering of the amber stone in consequence. For those seeking to more fully grasp the implications of the Phoenix Rite and its completion, this is essential reading. Compared to the relevant entry in Queen of Hell, it provides invaluable formulae.

The description of the testing on the Path of the Red Snake leads us into conflict against the arising Atlantean power. The implications of the Lore of Atlantean Magick being bypassed become chillingly clear — and Belial necessarily steps forward. Once again, we gain greater insight into this Witch God, specifically regarding a particular taboo, and how his role as protector and guide proves absolutely critical. We learn much here about the nature of Lommos himself and, by extension, the Gods of the Atlantean plane.

There’s a vast amount to unpack — far too much for a few paragraphs. Those able to read between the lines will discover much about the nature of reverse evocation, among other advanced occult practices. As an aside, there’s a small but valuable section detailing the nature of Cerberus, including the use of his seal in copper for the sealing of gates and protection. For those truly paying attention, this essay offers much to improve general working praxis.

The Eldorath

This essay recounts Mark’s meetings with one of the Eldorath, the Daughters of Sepheranz, and the extreme soul-testing he underwent as part of that encounter. Truthfully — after reading it, I wasn’t sure what to write. The previous essay had already struck an emotional chord; this one left me silent. It wasn’t a choice.

The implications are, frankly, extreme. We’re treated to a discourse revealing the multiplicity of the soul’s nature and its existence across time. While we witness glimpses of its resilience, we’re also shown how fragile it truly is when exposed to the sheer power of this entity — who, on the path of soul testing, can exploit that structure as a single point of failure, if deemed necessary, with horrifying consequences. The nature of the Daughters of Sepheranz is covered in revealing detail, offering further insight into the trials of working within the realms of Tiranar.

If there was any lingering doubt, this essay underscores the real risk involved — genuine power is attained only through genuine sacrifice, offered up in love and devotion, one way or another. This is not the work of mental gymnastics but direct work on the Atlantean Inner Planes — with no do-overs.

The section describing Lucifer’s fire struck me deeply. I’ve yet to experience anything remotely as confronting on my own journey (and hopefully, never will), but it spoke to me nonetheless. One ember can be all the blessing one needs.

There’s little more I can say — this is something that simply must be read and experienced. Which, I feel, is what can be said for this excellent tome as a whole.

The Final Seals of the Book

When choosing which artwork to feature here, which are improved over the original first editions massively in richness, I chose the image of The Immortal Flesh to highlight the quality on display. This piece has always called to me – the haunting, Atlantean landscape and the shades have always stood out in my mind amongst many memorable images.

Finally, but not least – when taking pictures of the book, a small oracular work was performed to dictate the final page that would be shown in this article, what the work itself wanted to show. The book once asked, opened on the page of The First Altar of the Witch Gods.

I feel this is a perfect way to end this little / review / analysis / whatever the reader wishes to call it. I feel deeply grateful to be able to have this work in my collection, and may it for many years guide myself, and those who work the current here, bathing us in the Primal Current.

The First Altar of the Witch Gods

In Nomine Belial,
We Walk The Path of the Setting Sun,
~S~

The Shadows Zenith – The Flight of Nights Wings

Posted in Folk Belief, Occultism, Paganism, The Path of Flames, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , , , , , , on June 27, 2024 by Sypheara

The last month has been one of many adventures, ones that, at a deep level, have rested my mind and reinvigorated the soul. I have been quite tight-lipped about where I have been, simply to avoid drawing any evil eyes and to keep the time blissfully free of interruptions, allowing for a sacred retreat into Self and Other. I was also going to see someone very special to me, so I wanted to speak little publicly about my trip, which involved travelling around the world to the land down under.

I knew that going so far under such circumstances would ensure that, for a time, I would enter into a completely different world—not just geographically and interpersonally, but also, in some strange way, temporally. It was also not a risk-free endeavour, and as such, I promised myself to keep my mouth firmly shut until I was back on home soil. The time period I’d be away would be a solid month—just long enough for a place to begin to feel, strangely, like home.

To cut to the heart of it: even outside of personal developments, I feel extremely changed by the experience at a fundamental level. It turns out Australia is a very strange, very primal place for those of us who have never really left the “Old World.” Such a term seems so facetiously quaint after experiencing the residual power of the land there. It felt distinctly sepheranzian, the land being still one of untamed providence as opposed to places where the gods and the spirits of the place feel long displaced.

The area I travelled to was not the most remote place, to say the least—Sydney is not famous for being a small town, after all. However, my trip did also encompass an adventure up to the Blue Mountains, to the area around Katoomba and Echo Point. It is probably best to start in that order, to really give a sense of the energetic makeup of the place and give background and context to the meat of the article.

I arrived in Sydney on Sunday, the 19th, to a very warm and beautiful welcome I won’t forget. Over the next few days and weeks, we spent a lot of time exploring the city, including many of the city parks. I was quite taken aback by how vibrant the wildlife was, even in the city area. Birds of all kinds were always everywhere, and the air was always a cacophony of birdsong the likes of which I’ve never heard before.

Of particular note were the Australian magpies, scientific name Gymnorhina tibicen. Described entertainingly as a “fairly robust bird” by good old Wikipedia, these guys captivated my tourist’s heart a little bit. Not actually a type of corvid, but rather a type of butcher bird, their calls were both beautiful and distinctive, and they were a complete joy to watch. In their eyes, you could see a certain Luciferian fire that is always present in these kinds of animals in particular—a keen, somewhat cold awareness and power that seems barely contained within.

Australian Magpie, photographed by JJ Harrison

I spent many days with my other half at a particular café where we were often visited by these spirited and beautiful creatures. On days she worked, I often went down alone, and the birds soon became aware that this strange English fellow was rather easy to convince to feed them. I, in turn, was quite happy to convene the crow council and oblige them, as long as I got a good choral song in payment for my attention (and some fried chicken).

These were not the only creatures that frequented the urban parks and streets and caught my attention. It turns out that the city is home to numerous species of megabat, otherwise known as flying foxes. These would ascend over the skies every warm autumn evening, with their distinctive calls being easy to pick out over the other sounds of city life. Seeing them was always a delight, bringing with it the feel of a very primitive freedom that was starkly contrasted with the urban surroundings of the city itself. In contrast to the energy that could be felt in the birds, the bats exuded a strong energy that seemed to resonate with that of Belial. As they flew, I could feel the same energies within my own body, almost as if they were putting out a call, a welcome, to engage in communion with the gods.

Around this time, we planned to do a small ritual together on the beach – in many ways, to get back into the swing of things since the first one we worked on together back in 2018. This, however, turned into a pact of a rather different sort, blessed as we were by the ring around the moon. As such, the actual work was to come a little later despite the invitation of the land being felt.

Katoomba, Photographer Unknown

The experience in Katoomba was similar but amplified to eleven. The Blue Mountains are named for their colour, caused by the refraction of sunlight through the oils produced by the eucalyptus trees that dominate the environment. However, looking out over the surrounding area from Echo Point, this simple explanation did not really do the place justice. As we stood at Echo Point, looking out at the vista below us, she was the first to be seized by the land; it felt like a powerful, magnetic pull drawing us deeper and deeper into the canyons, as if to become one with them. This feeling was not malefic, but certainly not a light one either.

I confirmed with her that I felt it too—the land felt like it was calling. To her, it seemed the spirits contained within it were trying to impart a message to those with the senses to hear and truly listen. However, it came out as a mumble to her, as if the language spoken was not understood. At first, I wondered if the language was Aboriginal in nature, but a little while after her description, I realised something. It was the same snake speech that the spirits of the land use all over, the language of the chthonic gods, that I have encountered when working with Belial. We spent another two days enjoying the feel of the place before we had to head back home.

On our way back to Sydney, we stopped at the Blue Mountains Botanic Gardens to explore further and make the most of our time there. The Gardens boast a large balcony, from which one can see the stunning vistas surrounding Mount Tomah. It was here that she asked me to help decipher what they were saying to her, as she reiterated that she could not understand the meaning, despite it being loud, insistent, and important.

The Royal Botanic Gardens & Domain Trust, photographed by Jaime Plaza 

I went out onto the balcony, and she soon joined me. Reaching out, I instantly felt drawn to the horizon. A peak dominated the far sky, and as I focused my eyes upon it, I felt drawn out of my body. Soon I was floating in front of the peak, and above, a large, multicoloured serpent hovered. Possessing pearlescent scales, it was similar but somehow different to the great dragon I encountered in the Lake District—more serpentine in nature. Power exuded from it like flowing waves of brilliant light, as a haze of blue caressed and swirled around it. Despite its brilliance, I could not hold this vision, no matter what I tried. It felt almost dreamlike, and despite its immediacy, as if there was still some final barrier in place I could not penetrate in my current state. Almost as soon as I was there, the imagery began to slide away. Unable to grasp the threads to remain in that space, I returned. Trying again, hoping this was an invitation to push on and not a warning, I closed my eyes. Just blackness, but there I could still feel it, and the hissing words came forth, generating the answers in the powerful feelings that they stirred within.

They wanted something from her indeed. The spirits of the land were offering a pact, if it would be wholeheartedly approached and accepted in blood. The exact nature of this pact was not transmitted—only that the door lay open, if she desired to explore it. It was given in a strange tone, as if they felt that was something rather very in doubt, as if they were used to being ignored, or worse, disappointed by those who have come forth up to this point.

As it was delivered, I conveyed it. She seemed nervous, relating to me how the spirits of this land seemed angry, almost hungry. I reassured her that even so, they were not out to claim her in the way that she was envisioning; another purpose or reason lay behind this, albeit one I could not put my own finger on.

We left the mountain top that day, descending the steep slopes in the old, knackered Toyota Corolla back towards Sydney. On the way back, we promised ourselves we would carry out the ritual as requested before leaving Australian soil.

Mimi and Rainbow Serpent, by Peter Marralwanga, c1980.

The good old winter weather would conspire against us, as is rather typical, ensuring that the optimal window to conduct the rite was on the very day I was to fly home. This was already going to be a complicated day – both logistically and emotionally, considering the importance of what had transpired on that other, beautiful night I will not forget.

But promises were promises – and we would have to make the best of the situation with the hours we had left. Very close to where we lived in Sydney was a nice, large, and relatively quiet suburban park. This was dominated by large, old, and gnarled banyan trees, specifically Ficus macrophylla or Australian Banyan. These trees are extremely physically impressive, with many thick aerial roots. Their physical characteristics give a hint as to their character; the tree is known as a “strangler fig” because seed germination usually takes place in the canopy of a host tree. Here, the seedling lives as an epiphyte until its roots establish contact with the ground, at which point it enlarges and strangles its host, thus replacing it. The tree is also incredibly dependent on a mutual relationship with insects. Figs are pollinated solely by fig wasps, and fig wasps can reproduce only in fig flowers. The close relationship of the Fig also gives us occult insight, this time into the mysteries surrounding that of sacred sacrifice.

Folklorically, the banyan tree has a lot of lore surrounding it – Diverse cultures around the world say these trees shelter angels and fairies, gods and ancestral spirits, ghosts, and other creatures.

More beneficially, the banyan tree is revered in Hinduism, and is the national tree of India. Because of its ever-expanding branches, it depicts eternal life. The banyan tree is also known as kalpavriksha, which literally means “wish-fulfilling holy tree”. In Buddhism, it is said Siddhartha Gautama attained enlightenment or buddhahood circa 500 BCE sitting under such a tree. In Greek mythology, the branches of one fig tree saved Odysseus from being sucked into the deadly whirlpool created by the maw of a hungry sea monster Charybdis.

The benefic comes with the malefic, however with many such great tree spirits, and in many places, it is believed that if a person sleeps under a fig tree he or she will wake up to be mute or worse still, never wake up. In Indian folklore, a person was turned into a monkey just because of trying to climb a sacred fig tree. Aboriginal Australian stories also warn of an altogether more fearsome spirit that lives within the strangler fig. This creature, the yara-ma-yha-who, is a manlike monster that possesses bulging eyes and a gaping, toothless maw. When hungry, it will leap out of its fig tree onto an unsuspecting traveller. Its fingers and toes end in flattened discs, through which it sucks the blood of its victims.

Ficus Macrophylla, Giardino Garibaldi, Palermo, photographed by Gmihail

As such, this is a tree that commands much respect when working with it from a witchcraft perspective. Several large specimens of these trees dominated one of the local parks, harbouring much of the impressive wildlife previously described. On this night, that place seemed to beckon us to work there – an awareness of semi-wilderness amidst the urban sprawl.

We left the apartment with very little – just ourselves, and something sharp with which to draw the blood necessary to make the connection. I was adamant that I would not lead the interaction – my role would be merely facilitative. This was important to ensure the path was walked and accepted. It was not me they had chosen, but her alone.

I remember it being strangely quieter than usual as we headed towards the area. Towards the lake, where the banyan trees drank deeply, and the day slowly spiralled into dusk. Unfortunately, many of the figs were still rather publicly within view. One tree, however, stood apart from the others. Fenced off, darker, in deeper shadow, and with its own strangely radiant pull. I could tell this tree was the one – and so could she. Yet, she hesitated in making the choice. Her outward hesitance belied a deeper, inner resolve to walk the path – to find the tree and honour what was asked of her. This filled me with great pride – it was something I knew she needed and was capable of achieving if only she took the leap of faith.

With that and a bit of encouragement to break a few rules and trust in herself, we were soon over the little separating fence; beneath the aerial roots of the great tree, the ritual would be conducted simply – and directly – without much, if any, supporting paraphernalia.

The process was as follows. Firstly, the receiving hand would be placed upon the bark and the call sent after personal circles were constructed. This would be followed by negotiation of the pact, with the result sealed in blood upon the bark.

As she bravely initiated the call, I stood guard at a respectable distance mainly to balance energy and ensure we were not disturbed. Everything went still, and I could feel the energy rising. It rose quickly and evenly, feeling very earthy and watery. It was much like a deep, still pool rising from the earth. I sensed that the energy, with its sepheranzian feel of the earth, was being joined by another energy – that of Belial and the Abyss. Looking up into the branches, the snake speech came, low and barely audible from my throat. It was subtle but discernible. With this, I purified and anchored the space, ensuring all that entered the space was conducive to the work.

She hesitated once more, before reaching out with heart instead of head. With this, the spirits of the land delivered their request directly at the level of the soul. At first, it felt like they were trying to draw her in – something she communicated afterwards and was concerned about. Yet, it must be remembered that these types of spirits always test – few come to them, and of those that do, few are actually suitable to receive anything. In this, she passed with flying colours. What was communicated is between her and them, but suffice to say, it was successfully bargained for and attained.

She relayed to me that these spirits left her feeling cold after her interaction – without any warmth. This is true – for that is simply their nature. These spirits of the earth, that come from the deep places, through these trees that are sent by Belial, are distinctly other but no less Hecate’s children with a purpose to the path. However, they are not the type to coddle.

With that done, her blood was given upon the bark and everything sealed. This was done with a huge amount of relief, given the intimidating nature of the operation and the time constraints we were under. Almost immediately, I heard the first rustling in the trees as we left, to sit and recover next to the little lake. Something truly incredible was about to happen.

Spurred by the energies raised in the rite, all the megabats in the area took flight. A huge flock swooped over us, and we both looked up in delight as their calls filled the sky. Internally, it made me want to laugh ecstatically, in great released joy. Gratitude arose inside for the blessings bestowed upon us in this land. At that point, I truly knew, at the crossroads in time where the spirits danced, that things had fallen into place. The myriad reasons why I was drawn here – her ritual, her presence, and this land had changed something important within me in symbiosis.

Megabats at Royal Botanic Gardens, Sydney Australia 2009 by Haverjake

With the ritual finished, I headed back to the flat to collect my things and leave the country that had truly felt like it had become a second home. Returning home, I have felt like a part of me remained there in that strange country brimming with possibility and new life. It has been a very strange, dislocating experience to have to return to normality (TM) – but I take comfort in knowing that what changed came back with me in flesh, blood, bone, and soul.

I now look forward to this summer, approaching the gatework with Belial knowing full well I am ready to dive deep into it at a soul level, as well as exploring hopefully more gateworkings and where they will take us.

I end this article with a wonderful Aboriginal tale about the warrior Buthera, who defeated Mudichera and thus gained his blessing and protection.

The Tale of Buthera and Mudichera

‘Buthera, a strong, proud warrior who possessed magical powers, was travelling up the coast of Queensland. He had not gone far on his way, and was resting early in the day, when a man walked into the glade where he was sitting.

‘Who are you?’ asked Buthera.

‘My name is Mudichera. I am the leader of Bats. What are you doing in my land?’

Buthera sprang to his feet, his brows drawn down in a frown. ‘This is still my territory. I allow no man to intrude on it.

‘The stranger took his waddy from his belt.

‘Good!’ Buthera said. ‘I am glad to see you are a man and not something blown here by the west wind.

‘They circled round each other warily. Buthera did not deign to use his waddy or war spear, but held a flint knife in his hand. Mudichera swung his waddy lustily, but Buthera avoided it, jumping from side to side, and throwing himself flat on the ground as it whistled over him. Mudichera began to grow tired. His blows lost their force and he had difficulty in raising his weapon over his head. Buthera gathered himself together and swung his knife so viciously that Mudichera was cut in two pieces, the upper part of his body falling in one place and his legs in another.

There was a flapping of leathery wings, the two parts of his body rose in the air, and two bats escaped from under Buthera’s hand. The chief grinned, picked up his weapon and resumed his journey. He covered many miles that day, but the sun grew hotter and the sweat trickled down his back. He felt sick, and when he came to a fertile valley with many water holes, where a large tribe was camped, he stopped.

‘Here comes Buthera’, the people cried.

‘How do you know my name’?

‘Oh, we know all about you. We know how you fought with Mudichera, how you cut him in two, and how he changed into a bat.’

‘Two bats. But how do you know all this?’

‘Willy wagtail told us.’

Buthera was angry to think that they knew so much about him. He took his magic spear and pointed it in front of him. A long tongue of flame shot from the point and set fire to the scrub. He swung it round him until he was in the centre of the fire, which spread rapidly outwards, driving the screaming people in front of it. The only places where they could escape the flames were in the water holes. Buthera looked across the smouldering bushes and saw them peering apprehensively at him, with their bodies submerged in the water. He grinned again, pointed another spear at them, and had the satisfaction of seeing them all transformed into shags.

Shortly afterwards he met another warrior, but this time he met his match. Larna was young and vigorous, and before long Buthera lay dead at his feet. He picked Buthera up, lifted him above his head, and was on the point of throwing him into a lake, when the Bats who had once been Mudichera flew down and beat their wings round Larna’s head, until he was forced to lower the body. Some of the power that had belonged to Mudichera when he was a warrior lingered in the Bats, and they turned Larna into a stone which they left by the side of the lake as a memorial to Buthera the warrior.’

A.W. Reed, Aboriginal Fables & Legendary Tales

Sydney Airport Mudichera by Guy Boyd

In Honour of the Spirits of the Reddened Land,
Those who Whisper
To Those who Wish to Hear

From Dust and Soil,
From Bone, and Root,
From Stone and Tree,

We call to thee,

O Belial!
Stir the Souls!
Arise, O Neglected Ones,
Awaken to Partake of the Grand Sabbat!

O Belial!

Forever set us Free!
Here at the Crossroads,
Where All Dance,
United In Eternal Reverie!

O Belial!

Accept Now our Devotion
Carry our Ecstatic Voices
Forth to Her Emerald Throne
On Your Wings of Purest Night!

~S~