Here we are, going into Samhain, and I am still playing catch-up! The midsummer solstice, and the impacts of the work coming out of that time, knocked me for six. In a very good way – so much has changed, altered, opened for myself and temple since then that every time I’ve sat down to write this entry, something else would occur which necessitated deep work and reflection to tackle and integrate it. Whether this was work for the current, for myself, or the initiation candidates, something would come up meaning the blog posts came bottom priority. Many of these events have been very profound – the kind of experience where writing about them seems almost exhibitionist. As such, I’ve chosen to focus on purely the more ‘formal’ rite which was carried out earlier this year for this belated blog post.
For context – the above was not entirely unexpected. Opening each stellar gate, has been an increasingly complex process up to this point. The opening of the first gate, with the Temple Familiar gifted by Belial through the Seal of the Ascending Winged Skull, took a matter of months – albeit the physical effects took years to both integrate and fully recover from. Hecate’s Stellar Gate similarly came through relatively quickly, to balance the initially unexpected black stellar energies released via the Ivory Spider.
Lucifer’s was more of a slow burn – requiring the evocation and integration of all three great elemental dragons – something that could be done fully only in the places where they most strongly reside. This required roughly two years of work and planning. As such, when contrasted with the Lilithian build up, I knew that opening this particular gate would be very demanding.
In total, no less than three wood cuts, and one full wood engraving block would be used in opening this gate at the temple here. The gate stele itself was cut into an engraving woodblock, made of birch. On one side, the temple specific channelled variant of the Seal of the City of Pyramids was inked, on the reverse, the specific key to unlock that seal fully given through the work with Lilith. The remaining four sides of the wood blocks were filled with Theban script – three sides, the formula of the synchronomicon, the final word being one of draconic origin released in the final work.
Each wood cut was adorned on one side with its related draconic seal, and on the flipside, its related draconic key.
Fomalhaut, the Royal Star of the South, by Davide De Martin
The ritual to open the gate was a strenuous one. Donning the ritual mask of Lucifer, firstly, each dragon gate was opened within the circle itself. This was possible thanks to the power already granted in previous possessions – without which none of this would have been possible.
Each opening necessitated each front seal being covered in blood, following a formal unlocking at blade point and subsequent blooding of the rear key sigil. As each was completed, the power of the corresponding dragon flooded into the circle. The feeling that accompanied these steps was not initially one of ecstatic empowerment – instead this initial, preparatory stage felt more like wading through a liquid. A liquid that simply grew in viscosity as more power was drawn into the working space as each woodcut was worked through individually, each power point and line receiving the necessary attention the act required.
The final quarter to be opened would be different. Here, stood the clear mirror of the arte used at the temple for a variety of rites. In front of it, the stele of Lucifer’s gate was placed, flanked by candles, leaving space to carry out the needed ritual operations. To the left, a blooded sigil of Surgat lay, and on the right, the physical skeleton key empowered by Lilith in the previous working. Both Witch Gods were called to lend their power to the rite.
When the time felt right, the front of the stele, as well as surrounding words of power were blooded. Lilith’s key was then utilized on the gate seal, to open it in widdershins fashion. With this prepared, the gate was turned and the key seal of the stele blooded. Finally, it was necessary to repeat the last two steps on the mirror itself. With each symbolic act, the locks placed on the soul were also released, and with words of power, the mirror gate came alive.
Formal request of Lucifer, through the opened mirror gate, to release the power of his stellar gate thus prepared, began a series of possessions. Like sunlight filtered through a lens, the power surged through the mirror and into the body. Strangely, it was not Lucifer who came first – but Vassago, coming clean out of the mirror. His silvered body glowed with such intensity, as his appearance took me entirely off guard – it was not the horned god I had initially expected! His chosen form so mercurial it seemed to flood out the clear surface, which in turn, now rippled like the surface of water.
Now behind him came Lucifer, appearing in horned, reptilian form – his energy in comparison was darker, more red and black, and in swirling kaleidoscopic currents the possession intensified. It was in this act that the necessary alchemy was completed, and the resulting completed stele marked.
The traditional goetic appearance of the daemon Vassago. Very different from the mercurial visions this spirit often gives me!! Artist unknown.
I lay there for awhile, just recovering from the energy release. In many ways I was still in shock, as the process was very different to what I had initially expected – this was a great learning exercise. Even with all the gnosis processed as to how to perform a rite, only by actually doing it is full understanding gained – something which cannot be guessed going in without the potential for being humbled by the experience.
With the above done, this marks the end of a cycle of intense workings. I don’t expect these to get any easier, but I must now for a little time, turn my attention to my initiation candidates. I have been blessed with two candidates of strong potency and devotion – and both are at a stage where initiations could be reasonably performed into the Black Degree.
As the year dies, my mind goes towards the blogs future. As more and more work intensifies, as alluded to in the opening, my view on many things has changed. Next year will mark the ten year anniversary of me starting this blog – what was meant to be only a small little working curio diary, has grown far beyond what I had initially planned. We are a full ninety posts in at this point, and many of the goals I initially set have either been met, or I have simply grown beyond. As my more work becomes Temple based, more intimate and deep, I do anticipate that there may be many necessary changes yet to come.
I will update people as I go, regarding any plans. I hope everyone a fantastic run up to Samhain, and thank you for reading.
May the Lord of Light,
Show you the Way,
Back to the Stellar Paths,
Long forgotten by the Race of Man,
In Lucifer’s Name,
~S~
Earth Dragon by Esther Remmington (above)
Leviathan, artist unknown
Photograph of the relativistic jet generated by M87* – NASA
#/media/File:Orion_Head_to_Toe.jpg)
#/media/File:OrionProper.gif)
The Luciferian Revolution 