Archive for Ritual

The Evolution of The Scorpion God – Soul Baring Work

Posted in Primal Craft, Publications with tags , , , , , , , , , , , , , , , , , , on April 15, 2025 by Sypheara

The Mother Temple has put out several semi-deluxe releases of late, each one a stunning bit of work in its own right.

It was only around last Samhain that I put up a short post here singing the praises of the recently released Beyond Akasha semi-deluxe edition of The Red King.

Thanks to a gruelling bit of graft by the Mother Temple, we’ve now also been blessed with a Beyond Akasha edition of The Scorpion God.

Having had a good week or two to go through the essays and work directly with the Book itself, I feel in a solid place to offer my own thoughts on what strikes me as a definitive edition of an already ground-breaking work.

The pictures taken in this blog post are taken by my wonderful assistant, as we wanted some pictures of our own copy here.

The Front Seal of The Book

Fit for a King — The Physically Embodied Book of Belial

The physical book itself is nothing short of pure luxury. I’ve been fortunate enough, both financially and proximity-wise, to pick up many Primal Craft publications. In my possession is a set of first editions of the Trident Trilogy, along with many of the Volumes of Sacrifice. These sit alongside several deluxe editions of various works — one of my favourites being the truly extravagant copy of The Crown Prince, bound in golden snake-skin.

That said, somehow this supposedly semi-deluxe book still manages to feel in a different league. Its construction is nothing short of exquisite, and it radiates a dense, energetic signature that can be felt even by the uninitiated. Simply put, the book has a commanding presence in the room.

Whilst I’m partial to the ye olde black book of witchcraft, I have a soft spot for editions that bring a rich colour to the table — both literally and figuratively. The earthy brown tones, set against gold foil, combine with evocative seals to instantly draw the eye. The quality of the paper, ink, sigilisation, and binding is second to none, even compared to past offerings. The ink itself is unbelievably thick and potent, the illustrations acting as gateways to the eye, pulling the reader in.

This is certainly the exact opposite of a ‘dead text’ — the whole thing feels palpably alive, inside and out. It begs to be touched, read, and interacted with.

The Spine of The Book

The Scorpion Familiar of the Work

Before I tackle the extremely important additions to the text itself, I feel I must first briefly relate my own direct working with the book. Each individual copy of this edition, it is said, comes powerfully ensouled with an attached Scorpion Familiar.

The circumstances of my own copy’s arrival seemed to necessitate working with this spirit. It was a compulsion — quite simply, an urge that hadn’t accompanied similar gateways previously woven into past works.

As such, the instructions given for this were carried out to the letter: blood placed within the blank area beneath the number, and to the left of the scorpion’s stinger seal on the back pages. A personal call to Belial to release the Scorpion Familiar was made. This was granted, and the being came forth into my aura. Needless to say, the power released was immense, exceeding expectations. It verified for me the presence of the Scorpion Familiar within the work itself beyond a shadow of a doubt — as I physically saw it come through the opened vortex within the book.

The physical strength brought on by the possessive merging with this Scorpion is something I’ve yet to experience elsewhere in my work. To be clear — it had a tangible effect on my body, flooding it with vitality and supercharging its capacity for regeneration. This wasn’t something I had anticipated, for I had called it forth primarily to unblock certain ways and guard the temple space specifically. Nevertheless, it was a highly welcome side effect.

I won’t dwell too long on the personal side — to keep silent, after all, is an axiom — but I offer this to demonstrate that the book itself can be utilised as an important ritual tool. This is but one of the ways laid out somewhat openly for practitioners to engage with.

The Introductory Page to the New Content

Old and New — Ground-breaking Content

The original Scorpion God text, to me, will always be a timeless classic. When I first perused it, it was a confrontational read in many respects — as at that time in my practice, I was frankly extremely sceptical of the Atlantean connection. By the time I’d reached the end, I was fully convinced. The sheer depth, the palpably lived experience of travelling that path and putting it to paper was, to be frank, compelling. It opened up a huge universe of exploration within my own work, from a gnosis perspective alone — as it provided the core context that filled out the requisite picture of the current as a whole.

Heading into the semi-deluxe edition, I kept that experience firmly in mind. It was a joy to see the original text preserved in full. And it’s joined, in my view, by some extremely important additions — each worthy of individual comment. My original intention was to give a general overview, but to do so would be a disservice to these entries.

The Wisdom of Belial: Forging the Soul in the Realm of Atlantean Gods

The essays open strongly with clarifications on Belial’s true nature, as well as the hidden, occult purpose of the text itself. Of particular importance to me is the further explanation, spelled out in black and white, that the very planet itself is the Flesh of Belial.

This is major. Whilst this was explored more fully in the Volumes of Sacrifice, having that context placed back solidly into The Scorpion God, alongside a deep explanation of the formation of the Four Pillars of Fire — how and why it was channelled, earthed, and brought forth in this way — is absolute gold.

For those who like to dig deep, there’s a good deal of important Primal Craft-specific gematria scattered through this, which is explicitly touched on in the following essay.

Atlantean Devil Queen

This essay is a thorough examination of the nature of Sepheranz and how to safely approach her.

I honestly feel this is an essential addition — clarifying Sepheranz’s role, importance, nature, and history within the current. Whilst this was covered at length in Volumes of Sacrifice, having it so clearly laid out within The Scorpion God offers a perfect counterbalance to the raw, primal face of her that we see in the parent text. We get to witness the many facets that make up this beautiful, terrifying goddess.

But that’s not all — here we also find what I believe to be the most concise and complete account of the history of creation within the written Primal Craft tomes. As such, it feels like an invaluable contribution in its own right, placing the lost history into full context. This alone would make it a standout entry for me.

Personally, I understand how intimidating she can be to work with. For many years, in fear, I avoided working with her until I one day felt compelled to place her blooded seal upon my altar. It felt simple it was no longer appropriate to deny her a place within my growing praxis.

The advice offered here — to first approach her more exoteric (but still ferocious) face as the Daughter of War, Conquest and Flame — and the exposition given on that aspect will, I think, be a great help to many who, like me, harboured an earlier fear of incorporating her into their craft. This is essential for fully working the current.

There’s also a fine exploration of Primal Craft gematria here, particularly detailing the Formula of the Apocalypse at both macro and microcosmic levels. This deserves to be thoroughly read, understood, and applied in praxis.

Faces of a King

I first read Faces of a King many years ago in the original Devoted, and it’s a pleasure to see it returned to the Primal Craft fold. This fascinating essay shows the early stages of Mark’s work with Belial. In contrast with the main text, it offers valuable insight and brings a large humanising element  — something that extends to all these clearly deeply personal revelations.

This particular entry does much to dispel misconceptions about Belial’s supposed ‘malicious’ nature — revealing such an angle as absurd, as the Great King facilitates a deeply primal form of justice. The essay is aptly named, as we’re treated to many multifaceted faces of Belial here, figuratively and literally.

There’s also some excellent detail on the Moires (the Fates), which I think will be of great use to the devotee. For those able to read between the lines, it also reveals important aspects of the arte of evocation — and why in our craft, we do not pursue the ‘force and coercion’ method of evoking.

This text had a profound impact on me as a much younger man, and it became the spur for creating my own evocation ritual to contact this great entity directly. I’ve never regretted it.

The Immortal Flesh, detailing work with the Book of the Dead, pg 328

The Amber Chamber

If Faces of a King served as preparation, the next two essays are, in my view, some of if not the rawest and most soul-baring ever put to paper in our current.

The Amber Chamber is a deep dive into the Atlantean God Lommos and his first encounters with the author. It reveals the side effects of what is, frankly, soul-transformative work at the highest level, while also making public, for the first time, the Temple High Priestess of our Arte, detailing her critical role. That alone would mark this essay out as special — but combined with the full Atlantean context, it becomes nothing short of revelatory.

The Temple High Priestess’ harrowing experience with Lommos forms the core of this piece, unfolding rapidly in a manner both raw and confronting. The essay first details the preconditions for the event it describes — the formation of the bloodstone gate and the shattering of the amber stone in consequence. For those seeking to more fully grasp the implications of the Phoenix Rite and its completion, this is essential reading. Compared to the relevant entry in Queen of Hell, it provides invaluable formulae.

The description of the testing on the Path of the Red Snake leads us into conflict against the arising Atlantean power. The implications of the Lore of Atlantean Magick being bypassed become chillingly clear — and Belial necessarily steps forward. Once again, we gain greater insight into this Witch God, specifically regarding a particular taboo, and how his role as protector and guide proves absolutely critical. We learn much here about the nature of Lommos himself and, by extension, the Gods of the Atlantean plane.

There’s a vast amount to unpack — far too much for a few paragraphs. Those able to read between the lines will discover much about the nature of reverse evocation, among other advanced occult practices. As an aside, there’s a small but valuable section detailing the nature of Cerberus, including the use of his seal in copper for the sealing of gates and protection. For those truly paying attention, this essay offers much to improve general working praxis.

The Eldorath

This essay recounts Mark’s meetings with one of the Eldorath, the Daughters of Sepheranz, and the extreme soul-testing he underwent as part of that encounter. Truthfully — after reading it, I wasn’t sure what to write. The previous essay had already struck an emotional chord; this one left me silent. It wasn’t a choice.

The implications are, frankly, extreme. We’re treated to a discourse revealing the multiplicity of the soul’s nature and its existence across time. While we witness glimpses of its resilience, we’re also shown how fragile it truly is when exposed to the sheer power of this entity — who, on the path of soul testing, can exploit that structure as a single point of failure, if deemed necessary, with horrifying consequences. The nature of the Daughters of Sepheranz is covered in revealing detail, offering further insight into the trials of working within the realms of Tiranar.

If there was any lingering doubt, this essay underscores the real risk involved — genuine power is attained only through genuine sacrifice, offered up in love and devotion, one way or another. This is not the work of mental gymnastics but direct work on the Atlantean Inner Planes — with no do-overs.

The section describing Lucifer’s fire struck me deeply. I’ve yet to experience anything remotely as confronting on my own journey (and hopefully, never will), but it spoke to me nonetheless. One ember can be all the blessing one needs.

There’s little more I can say — this is something that simply must be read and experienced. Which, I feel, is what can be said for this excellent tome as a whole.

The Final Seals of the Book

When choosing which artwork to feature here, which are improved over the original first editions massively in richness, I chose the image of The Immortal Flesh to highlight the quality on display. This piece has always called to me – the haunting, Atlantean landscape and the shades have always stood out in my mind amongst many memorable images.

Finally, but not least – when taking pictures of the book, a small oracular work was performed to dictate the final page that would be shown in this article, what the work itself wanted to show. The book once asked, opened on the page of The First Altar of the Witch Gods.

I feel this is a perfect way to end this little / review / analysis / whatever the reader wishes to call it. I feel deeply grateful to be able to have this work in my collection, and may it for many years guide myself, and those who work the current here, bathing us in the Primal Current.

The First Altar of the Witch Gods

In Nomine Belial,
We Walk The Path of the Setting Sun,
~S~

Another Turn of the Wheel – Inversion of the Light

Posted in Primal Craft, Publications, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , , , , , , , , , on October 31, 2024 by Sypheara

We come again to that blessed time of the year – where the Earth is finally responding to the dying light of the Sun.

This period is always a very reflective one for me. Looking back, I can say this year has been an exceptional one – that has pushed me out of my boundaries to places and lands I would never seen myself having visiting. I think its going to be a year that lodges itself firmly in my memory, and won’t let up its hold anytime soon.

It is a time for remembering what we have lost, and somewhat more importantly in many ways, what we must let go.

This Samhain, those of us in the Primal Current were treated to a little, special treat- the Beyond Akasha edition of Mark Alan Smiths work, The Red King, was released. This returns to circulation, and for the first time directly into the currents hands, some extremely important essays to our craft.

The Red King, Beyond Akasha Edition, by Primal Craft / Mark Alan Smith

A standout in my eyes, is the essay Baptism Of Fire, which details the Magister of the Artes crossing of the Abyss. This version, in an uncensored form, was one that I read out in full to the initiates and dedicants here – which they found rather illuminating. Considering the Rite to begin the Abyss crossing is conducted in our craft upon the night of the Sabbat itself, it felt fitting that it was this tale that I recounted when the sun crossed the western horizon on our Esbat night.

It had been many years since I’d read the original essay, when it was first published in anthology form many, many years ago. It struck me then as an extremely important bit of writing for the Arte Magickal, not just the current itself. The new version is nothing short of revolutionary. Whilst the vast majority of people have experienced the nigredo phase of alchemy in their life at some point this is clearly no substitute for what is found in the dark lake crossing. Having a tangible account of a lived experience I feel it is positively vital to put the great theurgic work into its proper context. The strain on the soul across spiritual, mental and physical planes in this work is lain out raw – to show the realness of what is conducted and its impact upon the individual. Although people are generally familiar with Crowleys account, I feel this one stands above it – coupled with the The Phoenix Rite contained within Mark Alan Smiths The Queen of Hell, this feels the definitive and decisive analysis of the Abyss and its crossing.

After reading it to my small group, I remember the fifteen or more seconds of stunned silence after we finished the text. The room itself felt charged – something important had been shared, and imparted. In this microcosmic performance, another truth became apparent – that the current on a macrocosmic level continues to grow in both depth and breadth, at an accelerated pace, on a truly revelationary scale. No more dead texts – no more dead artificial lines. In 2024, this is insufficient for where we collectively find ourselves.

Things now are proceeding to organically unfold. After finishing the reading it was actually necessary to ground – that is the power than can be contained within the written word when properly ensorcelled with the power of the Gods.

The Seal of Lucifuge Rofocale

I polished off the rest of the essays on my own – the one involving Lucifuge Rofocale being most enlightening, detailing the way in which the devoted mage may create a physical book that links to Rofocales own. This is something that calls to me, and thus I believe I will explore it in the future, in individual practice. It struck me that this essay also contains much guidance on the Arte of Evocation that will be useful for others here at our Temple, even if they have no intention to create and link their own book. Additionally, for those with Eyes to see (and a healthy dose of reading comprehension), this particular essay outlines one of the primary methods of ensouling objects.

Those who are able to source the book and have a primary, devoted interest in the current I can honestly recommend the tome and say that reading it this Samhain has been very special. The focus on passing through the dark, to come out the other end enlightened, is always an important one at this time of year – it gives us context, balance, and hope.

Reflecting back on our own work, I can safely say we are continually growing our praxis here and I feel I am now far along transmitting what constitutes a solid foundation. As such, I am looking forward to delving into my own theurgic work again in the near future having freed up some time and headspace; I look forward very much to further workings with Belial, and uncovering more of the stellar gnosis which is brought through by our temples arachnidian guardian entity. The choice of blinding white for the new Red King edition is certainly a very, very fitting one.

On that note, on this rather busy night, I must again leave you as I did last year with a few beautiful images of one of the drovings that occurs in the North West of England. These images are from the Penrith Winter Droving, which happens around this time on year. Continuing on our theme of death and renewal, its fantastic to see very pagan festivals coming back to the light.

Pictures from Penrith Winter Droving, supplied by Photographer

May the Light of the Gods,
Carry you High,
On the Journey of the Grand Sabbat

~S~

The Shadows Zenith – The Flight of Nights Wings

Posted in Folk Belief, Occultism, Paganism, The Path of Flames, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , , , , , , on June 27, 2024 by Sypheara

The last month has been one of many adventures, ones that, at a deep level, have rested my mind and reinvigorated the soul. I have been quite tight-lipped about where I have been, simply to avoid drawing any evil eyes and to keep the time blissfully free of interruptions, allowing for a sacred retreat into Self and Other. I was also going to see someone very special to me, so I wanted to speak little publicly about my trip, which involved travelling around the world to the land down under.

I knew that going so far under such circumstances would ensure that, for a time, I would enter into a completely different world—not just geographically and interpersonally, but also, in some strange way, temporally. It was also not a risk-free endeavour, and as such, I promised myself to keep my mouth firmly shut until I was back on home soil. The time period I’d be away would be a solid month—just long enough for a place to begin to feel, strangely, like home.

To cut to the heart of it: even outside of personal developments, I feel extremely changed by the experience at a fundamental level. It turns out Australia is a very strange, very primal place for those of us who have never really left the “Old World.” Such a term seems so facetiously quaint after experiencing the residual power of the land there. It felt distinctly sepheranzian, the land being still one of untamed providence as opposed to places where the gods and the spirits of the place feel long displaced.

The area I travelled to was not the most remote place, to say the least—Sydney is not famous for being a small town, after all. However, my trip did also encompass an adventure up to the Blue Mountains, to the area around Katoomba and Echo Point. It is probably best to start in that order, to really give a sense of the energetic makeup of the place and give background and context to the meat of the article.

I arrived in Sydney on Sunday, the 19th, to a very warm and beautiful welcome I won’t forget. Over the next few days and weeks, we spent a lot of time exploring the city, including many of the city parks. I was quite taken aback by how vibrant the wildlife was, even in the city area. Birds of all kinds were always everywhere, and the air was always a cacophony of birdsong the likes of which I’ve never heard before.

Of particular note were the Australian magpies, scientific name Gymnorhina tibicen. Described entertainingly as a “fairly robust bird” by good old Wikipedia, these guys captivated my tourist’s heart a little bit. Not actually a type of corvid, but rather a type of butcher bird, their calls were both beautiful and distinctive, and they were a complete joy to watch. In their eyes, you could see a certain Luciferian fire that is always present in these kinds of animals in particular—a keen, somewhat cold awareness and power that seems barely contained within.

Australian Magpie, photographed by JJ Harrison

I spent many days with my other half at a particular café where we were often visited by these spirited and beautiful creatures. On days she worked, I often went down alone, and the birds soon became aware that this strange English fellow was rather easy to convince to feed them. I, in turn, was quite happy to convene the crow council and oblige them, as long as I got a good choral song in payment for my attention (and some fried chicken).

These were not the only creatures that frequented the urban parks and streets and caught my attention. It turns out that the city is home to numerous species of megabat, otherwise known as flying foxes. These would ascend over the skies every warm autumn evening, with their distinctive calls being easy to pick out over the other sounds of city life. Seeing them was always a delight, bringing with it the feel of a very primitive freedom that was starkly contrasted with the urban surroundings of the city itself. In contrast to the energy that could be felt in the birds, the bats exuded a strong energy that seemed to resonate with that of Belial. As they flew, I could feel the same energies within my own body, almost as if they were putting out a call, a welcome, to engage in communion with the gods.

Around this time, we planned to do a small ritual together on the beach – in many ways, to get back into the swing of things since the first one we worked on together back in 2018. This, however, turned into a pact of a rather different sort, blessed as we were by the ring around the moon. As such, the actual work was to come a little later despite the invitation of the land being felt.

Katoomba, Photographer Unknown

The experience in Katoomba was similar but amplified to eleven. The Blue Mountains are named for their colour, caused by the refraction of sunlight through the oils produced by the eucalyptus trees that dominate the environment. However, looking out over the surrounding area from Echo Point, this simple explanation did not really do the place justice. As we stood at Echo Point, looking out at the vista below us, she was the first to be seized by the land; it felt like a powerful, magnetic pull drawing us deeper and deeper into the canyons, as if to become one with them. This feeling was not malefic, but certainly not a light one either.

I confirmed with her that I felt it too—the land felt like it was calling. To her, it seemed the spirits contained within it were trying to impart a message to those with the senses to hear and truly listen. However, it came out as a mumble to her, as if the language spoken was not understood. At first, I wondered if the language was Aboriginal in nature, but a little while after her description, I realised something. It was the same snake speech that the spirits of the land use all over, the language of the chthonic gods, that I have encountered when working with Belial. We spent another two days enjoying the feel of the place before we had to head back home.

On our way back to Sydney, we stopped at the Blue Mountains Botanic Gardens to explore further and make the most of our time there. The Gardens boast a large balcony, from which one can see the stunning vistas surrounding Mount Tomah. It was here that she asked me to help decipher what they were saying to her, as she reiterated that she could not understand the meaning, despite it being loud, insistent, and important.

The Royal Botanic Gardens & Domain Trust, photographed by Jaime Plaza 

I went out onto the balcony, and she soon joined me. Reaching out, I instantly felt drawn to the horizon. A peak dominated the far sky, and as I focused my eyes upon it, I felt drawn out of my body. Soon I was floating in front of the peak, and above, a large, multicoloured serpent hovered. Possessing pearlescent scales, it was similar but somehow different to the great dragon I encountered in the Lake District—more serpentine in nature. Power exuded from it like flowing waves of brilliant light, as a haze of blue caressed and swirled around it. Despite its brilliance, I could not hold this vision, no matter what I tried. It felt almost dreamlike, and despite its immediacy, as if there was still some final barrier in place I could not penetrate in my current state. Almost as soon as I was there, the imagery began to slide away. Unable to grasp the threads to remain in that space, I returned. Trying again, hoping this was an invitation to push on and not a warning, I closed my eyes. Just blackness, but there I could still feel it, and the hissing words came forth, generating the answers in the powerful feelings that they stirred within.

They wanted something from her indeed. The spirits of the land were offering a pact, if it would be wholeheartedly approached and accepted in blood. The exact nature of this pact was not transmitted—only that the door lay open, if she desired to explore it. It was given in a strange tone, as if they felt that was something rather very in doubt, as if they were used to being ignored, or worse, disappointed by those who have come forth up to this point.

As it was delivered, I conveyed it. She seemed nervous, relating to me how the spirits of this land seemed angry, almost hungry. I reassured her that even so, they were not out to claim her in the way that she was envisioning; another purpose or reason lay behind this, albeit one I could not put my own finger on.

We left the mountain top that day, descending the steep slopes in the old, knackered Toyota Corolla back towards Sydney. On the way back, we promised ourselves we would carry out the ritual as requested before leaving Australian soil.

Mimi and Rainbow Serpent, by Peter Marralwanga, c1980.

The good old winter weather would conspire against us, as is rather typical, ensuring that the optimal window to conduct the rite was on the very day I was to fly home. This was already going to be a complicated day – both logistically and emotionally, considering the importance of what had transpired on that other, beautiful night I will not forget.

But promises were promises – and we would have to make the best of the situation with the hours we had left. Very close to where we lived in Sydney was a nice, large, and relatively quiet suburban park. This was dominated by large, old, and gnarled banyan trees, specifically Ficus macrophylla or Australian Banyan. These trees are extremely physically impressive, with many thick aerial roots. Their physical characteristics give a hint as to their character; the tree is known as a “strangler fig” because seed germination usually takes place in the canopy of a host tree. Here, the seedling lives as an epiphyte until its roots establish contact with the ground, at which point it enlarges and strangles its host, thus replacing it. The tree is also incredibly dependent on a mutual relationship with insects. Figs are pollinated solely by fig wasps, and fig wasps can reproduce only in fig flowers. The close relationship of the Fig also gives us occult insight, this time into the mysteries surrounding that of sacred sacrifice.

Folklorically, the banyan tree has a lot of lore surrounding it – Diverse cultures around the world say these trees shelter angels and fairies, gods and ancestral spirits, ghosts, and other creatures.

More beneficially, the banyan tree is revered in Hinduism, and is the national tree of India. Because of its ever-expanding branches, it depicts eternal life. The banyan tree is also known as kalpavriksha, which literally means “wish-fulfilling holy tree”. In Buddhism, it is said Siddhartha Gautama attained enlightenment or buddhahood circa 500 BCE sitting under such a tree. In Greek mythology, the branches of one fig tree saved Odysseus from being sucked into the deadly whirlpool created by the maw of a hungry sea monster Charybdis.

The benefic comes with the malefic, however with many such great tree spirits, and in many places, it is believed that if a person sleeps under a fig tree he or she will wake up to be mute or worse still, never wake up. In Indian folklore, a person was turned into a monkey just because of trying to climb a sacred fig tree. Aboriginal Australian stories also warn of an altogether more fearsome spirit that lives within the strangler fig. This creature, the yara-ma-yha-who, is a manlike monster that possesses bulging eyes and a gaping, toothless maw. When hungry, it will leap out of its fig tree onto an unsuspecting traveller. Its fingers and toes end in flattened discs, through which it sucks the blood of its victims.

Ficus Macrophylla, Giardino Garibaldi, Palermo, photographed by Gmihail

As such, this is a tree that commands much respect when working with it from a witchcraft perspective. Several large specimens of these trees dominated one of the local parks, harbouring much of the impressive wildlife previously described. On this night, that place seemed to beckon us to work there – an awareness of semi-wilderness amidst the urban sprawl.

We left the apartment with very little – just ourselves, and something sharp with which to draw the blood necessary to make the connection. I was adamant that I would not lead the interaction – my role would be merely facilitative. This was important to ensure the path was walked and accepted. It was not me they had chosen, but her alone.

I remember it being strangely quieter than usual as we headed towards the area. Towards the lake, where the banyan trees drank deeply, and the day slowly spiralled into dusk. Unfortunately, many of the figs were still rather publicly within view. One tree, however, stood apart from the others. Fenced off, darker, in deeper shadow, and with its own strangely radiant pull. I could tell this tree was the one – and so could she. Yet, she hesitated in making the choice. Her outward hesitance belied a deeper, inner resolve to walk the path – to find the tree and honour what was asked of her. This filled me with great pride – it was something I knew she needed and was capable of achieving if only she took the leap of faith.

With that and a bit of encouragement to break a few rules and trust in herself, we were soon over the little separating fence; beneath the aerial roots of the great tree, the ritual would be conducted simply – and directly – without much, if any, supporting paraphernalia.

The process was as follows. Firstly, the receiving hand would be placed upon the bark and the call sent after personal circles were constructed. This would be followed by negotiation of the pact, with the result sealed in blood upon the bark.

As she bravely initiated the call, I stood guard at a respectable distance mainly to balance energy and ensure we were not disturbed. Everything went still, and I could feel the energy rising. It rose quickly and evenly, feeling very earthy and watery. It was much like a deep, still pool rising from the earth. I sensed that the energy, with its sepheranzian feel of the earth, was being joined by another energy – that of Belial and the Abyss. Looking up into the branches, the snake speech came, low and barely audible from my throat. It was subtle but discernible. With this, I purified and anchored the space, ensuring all that entered the space was conducive to the work.

She hesitated once more, before reaching out with heart instead of head. With this, the spirits of the land delivered their request directly at the level of the soul. At first, it felt like they were trying to draw her in – something she communicated afterwards and was concerned about. Yet, it must be remembered that these types of spirits always test – few come to them, and of those that do, few are actually suitable to receive anything. In this, she passed with flying colours. What was communicated is between her and them, but suffice to say, it was successfully bargained for and attained.

She relayed to me that these spirits left her feeling cold after her interaction – without any warmth. This is true – for that is simply their nature. These spirits of the earth, that come from the deep places, through these trees that are sent by Belial, are distinctly other but no less Hecate’s children with a purpose to the path. However, they are not the type to coddle.

With that done, her blood was given upon the bark and everything sealed. This was done with a huge amount of relief, given the intimidating nature of the operation and the time constraints we were under. Almost immediately, I heard the first rustling in the trees as we left, to sit and recover next to the little lake. Something truly incredible was about to happen.

Spurred by the energies raised in the rite, all the megabats in the area took flight. A huge flock swooped over us, and we both looked up in delight as their calls filled the sky. Internally, it made me want to laugh ecstatically, in great released joy. Gratitude arose inside for the blessings bestowed upon us in this land. At that point, I truly knew, at the crossroads in time where the spirits danced, that things had fallen into place. The myriad reasons why I was drawn here – her ritual, her presence, and this land had changed something important within me in symbiosis.

Megabats at Royal Botanic Gardens, Sydney Australia 2009 by Haverjake

With the ritual finished, I headed back to the flat to collect my things and leave the country that had truly felt like it had become a second home. Returning home, I have felt like a part of me remained there in that strange country brimming with possibility and new life. It has been a very strange, dislocating experience to have to return to normality (TM) – but I take comfort in knowing that what changed came back with me in flesh, blood, bone, and soul.

I now look forward to this summer, approaching the gatework with Belial knowing full well I am ready to dive deep into it at a soul level, as well as exploring hopefully more gateworkings and where they will take us.

I end this article with a wonderful Aboriginal tale about the warrior Buthera, who defeated Mudichera and thus gained his blessing and protection.

The Tale of Buthera and Mudichera

‘Buthera, a strong, proud warrior who possessed magical powers, was travelling up the coast of Queensland. He had not gone far on his way, and was resting early in the day, when a man walked into the glade where he was sitting.

‘Who are you?’ asked Buthera.

‘My name is Mudichera. I am the leader of Bats. What are you doing in my land?’

Buthera sprang to his feet, his brows drawn down in a frown. ‘This is still my territory. I allow no man to intrude on it.

‘The stranger took his waddy from his belt.

‘Good!’ Buthera said. ‘I am glad to see you are a man and not something blown here by the west wind.

‘They circled round each other warily. Buthera did not deign to use his waddy or war spear, but held a flint knife in his hand. Mudichera swung his waddy lustily, but Buthera avoided it, jumping from side to side, and throwing himself flat on the ground as it whistled over him. Mudichera began to grow tired. His blows lost their force and he had difficulty in raising his weapon over his head. Buthera gathered himself together and swung his knife so viciously that Mudichera was cut in two pieces, the upper part of his body falling in one place and his legs in another.

There was a flapping of leathery wings, the two parts of his body rose in the air, and two bats escaped from under Buthera’s hand. The chief grinned, picked up his weapon and resumed his journey. He covered many miles that day, but the sun grew hotter and the sweat trickled down his back. He felt sick, and when he came to a fertile valley with many water holes, where a large tribe was camped, he stopped.

‘Here comes Buthera’, the people cried.

‘How do you know my name’?

‘Oh, we know all about you. We know how you fought with Mudichera, how you cut him in two, and how he changed into a bat.’

‘Two bats. But how do you know all this?’

‘Willy wagtail told us.’

Buthera was angry to think that they knew so much about him. He took his magic spear and pointed it in front of him. A long tongue of flame shot from the point and set fire to the scrub. He swung it round him until he was in the centre of the fire, which spread rapidly outwards, driving the screaming people in front of it. The only places where they could escape the flames were in the water holes. Buthera looked across the smouldering bushes and saw them peering apprehensively at him, with their bodies submerged in the water. He grinned again, pointed another spear at them, and had the satisfaction of seeing them all transformed into shags.

Shortly afterwards he met another warrior, but this time he met his match. Larna was young and vigorous, and before long Buthera lay dead at his feet. He picked Buthera up, lifted him above his head, and was on the point of throwing him into a lake, when the Bats who had once been Mudichera flew down and beat their wings round Larna’s head, until he was forced to lower the body. Some of the power that had belonged to Mudichera when he was a warrior lingered in the Bats, and they turned Larna into a stone which they left by the side of the lake as a memorial to Buthera the warrior.’

A.W. Reed, Aboriginal Fables & Legendary Tales

Sydney Airport Mudichera by Guy Boyd

In Honour of the Spirits of the Reddened Land,
Those who Whisper
To Those who Wish to Hear

From Dust and Soil,
From Bone, and Root,
From Stone and Tree,

We call to thee,

O Belial!
Stir the Souls!
Arise, O Neglected Ones,
Awaken to Partake of the Grand Sabbat!

O Belial!

Forever set us Free!
Here at the Crossroads,
Where All Dance,
United In Eternal Reverie!

O Belial!

Accept Now our Devotion
Carry our Ecstatic Voices
Forth to Her Emerald Throne
On Your Wings of Purest Night!

~S~

This Blessed Samhain – The Eclipse of the Dark Moon Huntress

Posted in The Path of Flames with tags , , , , , , , , , , , , , , , , , , on November 7, 2023 by Sypheara

It has been a rather distracting time here in the cold, damp and dreary north of the UK. The Wheel has most certainly spun, and Summer has most assuredly died. It has taken a few days to really compose my thoughts to put something together onto paper; for more qualified voices have put it better than I feel I ever could or should.

Before I launch forth therefore – I hope everyone has had a blessed Samhain period. This time of year always feels very special to me – that the Gods and Spirits are close this year, is certainly in no doubt. At times, I have felt them almost overwhelmingly so. I hope much strength was taken from sabbatic congress, and that much love and joy was had in tandem with those we care about the most.

However, this year in particular feels powerful beyond the pale. The name of this post is rather specific – referring to the Dark Moon Huntress edition of Queen of Hell, which made its way out into the world within the past week or so. This work couldn’t be more aptly timed in its release nor in it’s arrival to my door. It arrived on the day of the partial lunar eclipse, the day of the Esbat just before the Sabbat itself. A sign, of the unification of the Dark and the Full Moon – Hecate in her full complete aspect, at the turning of the wheel from the old to new.

This on its own seemed distinctly magical. Coinciding with wider events in the world, it seemed downright prophetic. What strange times we live in, I find myself often thinking these days. It is no surprise to me that, with Hecate’s timing of the unfolding of this work, that the Magister of our Arte and Temple of Four Pillars of Fire decided to choose this time to make public the information surrounding the ‘Three Countries’ Prophecies. Things, have as they say, progressed.

I won’t dwell on the actual content that came out of those specifically here – as Mark relates in his own public post, there is no desire to be dragged into a political mire. It is not my arena to engage with – at this time, but rather I feel instead it is better to give a personal example of how the energy around this most portentous of Sabbats has affected me and our work at the temple to give additional insight.

I hope that this serves others well, in the want to transmit the love the current brings with it.

Darkness Manifesting by Midjourney

It was about the end of August – September when I began to feel the true tonal shift. Everything seemed heavier, and thick – more than what would normally be ascribed to the coming on of the Autumnal Season.

One particular night, I was feeling a bit disconnected. This was despite it being the full moon – an occurrence that usually has me amped up. In this case, I felt restless, like the powers that be wanted to show me something. But not to be clear, the good restless. Something nagged at me, and I couldn’t put my finger on what.

Out of all the things that I feel helps in these moments, one of the better ones for myself to shake a bit of sense into me has always been a good trip to the sea. The ocean, being the wellspring of ancestral memory, is distinctly liminal, and always connects me strongly back to Hecate. It has never failed me as a powerful crossroads. It has always been there, somewhere I can cast out unwanted mental and spiritual detritus and recharge. This, interestingly, despite me having a somewhat moderate case of thalassophobia – a fear of the sea – something tempered over the last half-decade by working with Belial, in his mask of Neptune / Poseidon, as well as with the Great Sea Dragon Leviathan. A certain dunking, by a certain witch, probably also helped immensely.

So to that end, I got into my car and set off. I have a particular place by the coast, which always helps take my mind off things. It overlooks the water, across to a town in the distance, and often the moon rises in a way to place itself almost directly between them. That night, parked up and stuffing myself with ice-cream, I looked out across the eerily still surface. The glare of the town was reflected off the mirrorlike surface, as were the more powerful pin pricks of light that trailed across the night sky, but they were not the stars of the show. The moon indeed was out to greet me in all her full glory, and the sky was clear. The moonglade cut a perfect path between the heavens, across the water, towards me.

It was a wondrous night. Beautiful beyond words, and my description above can only partially do it justice. Everything was so still – with very little wind. It was quite late, and, as I sat there in my car parked up, the quieter it became. Soon, there were no more fellow travellers passing my way. It was just me, the moon, the glow of the dash, and the quietly humming background noise of BBC Radio 3.

Moonglade, Unknown Photographer

Whilst calm and serene, there was something tinged in the air – a certain melancholy, that I could not place. It was not all internal – although certainly part of me mirrored what I was feeling that night. At that moment, I actually reached out and asked me question.

‘What do you want to show me?’

At first, nothing happened. Then, something magical occurred. A shadow passed over the car, and a dark figure fell from above. It fell down near the long grass, its talons gripping something. Two large, black eyes like pools locked with mine for an instant, glowing strongly with the reflection of both car light and night sky. Then, in a instant, the bird took flight again, a small shadow wrapped in its grasp. I sat there, stunned as I watched the Barn Owl whirl and quickly fly out of sight, back inland.

It was at that moment, that a new song started up on the radio. I cannot for the life of me remember the name it, despite searching far and wide. It was called something like the invocation of the old gods, and was ostensibly about the Norse pantheon. Regardless, the obvious symbolism in the timing felt extremely on the nose. The song was a lament, that of a changing world, and of time itself. It was discordant, disjointed thing and not necessarily pleasant to listen to, but had me enrapt throughout its entirity.

I sat there in stunned silence, trying to decipher what was coming through. I laughed nervously because, the more I listened, the more obvious it was in its directness. The answer was simply thus – a feeling to be clear, rather than any spoken word but that can be translated as: ‘You have succeeded in finding that which you already know to be true. Here at the edge of your world, at the turning of the wheel, it is confirmed. You stand at a crossroads of great change. Know that we are close and take heart in that.’

Despite the content, and the feeling of connectedness, there was an eerieness to it that pervaded. Like being near to the scene of an accident, or near a place where lightning has just struck. That almost indescribable liminal feeling that something has physically opened to the other world. Needless to say, once the song was over, the radio went straight off. I drove home content I had received my answer, and spent the rest of the way back in contemplative silence.

Barn Owl, Unknown Photographer

This proved an apt message and feeling, now that I look back at it after Samhain with everything that has gone on. Both as a warning, as well as a blessing, and one that I think everyone who works the Witchcraft can interpret without much difficulty.

That said, just as with the reassurance in the message that was delivered, this season is not all about heaviness! I feel that requires highlighting. Just as Beltane has its darker flipside, so does Samhain have its lighter one, and given the greater backdrop of events it is critically important to bare in mind. It is somewhat ironic that I write the main content of this post on November the 5th. In the UK, this is a day that is celebrated with copious amounts of fireworks. I think it says a lot about our country that the celebration revolves around the execution of Guy Fawkes. Fawkes was a catholic rebel, who was hanged and quartered on 31 January 1606 for attempting to blow up parliament and the King of England. This night strangely given the rather grisly backstory, has a rather jovial atmosphere – and it has always capped the Samhain season for me due to its proximity. This is less strange that it may sound, when we consider that many of the customs of Samhain bled into ‘Bonfire Night’. That there is therefore this felt connection is thus not really all that surprising.

As such, the lighting of the bonfire, the fireworks, the carnival like atmosphere all points to one key element. That of the always present and sacred liminal fire which accompanies the dark. As the wheel turns, both seasonally and on a grander stage, we can take great solace in one surefire thing. That is the fact that Hecate stands tall, torches in hand, guiding the way for her devotees and the world. In this, her presence both balances and rejuvenates us. It orientates us in time, and gives meaning to our lives.

The fires lit at this time of the year, for both the Gods and Dead, were said to have protective and cleansing effects. In many ways, it is the final outpouring of a dying year – the last ecstatic release, as the old dies, and makes way for the new. We must always be mindful that underpinning this symbolism is a very fundamental reality – that of the inevitability of change. This could be seen as a negative, but to the witchcraft soul, this brings with it a powerful promise – that is, the promise of rebirth and renewal.

We must trust that the Gods will see us through the darker times and the setting of the sun, regardless what happens, and will deliver us into the new dawn. It is not a blind faith, but one mirrored in microcosm and macrocosm, following eternal, divine law as lain down by the Goddess of Hell, Heaven and Earth. Just as the bird descends through the western gate to be reborn, so must even the ages of the world.

On that note, I must say I have been very blessed this Samhain. I have had the opportunity to spend it with people important to me, whilst also opening new avenues for exploration. Occult wise, the work begins to coalesce powerfully, and gates open in both the personal, group and at world soul level. I could not ask for better people to have my back. I truly wish that for everyone. Go deep with the work, find your solace and connection there; this is where we find our true freedom.

With that said, I leave the reader with some beautiful imagery. Below are some lovely pictures from the Penrith Winter Droving 2023, an event which happens in the town of Penrith, North West England, every year. Beginning in 2012, it is a beautiful rebirth of old tradition in a new form. I hope it continues for many a year to come.

From the Setting of the Sun,
Comes the Break of the Dawn
Hecate Lucifera
Forever
Will we follow your Torches,
Blazing the Widdershins Way
Dancing the Grand Sabbat
For in Love
And in Devotion
Our Hearts and Souls,
Belong to You
~S~






The Suns Zenith – The Light In The Dark

Posted in Occultism, Paganism, Primal Craft, The Path of Flames with tags , , , , , , , , , , , , , , , , , , on June 29, 2023 by Sypheara

A somewhat belated happy summer solstice to devotees and readers of the blog. It has been very productive over here – I have been taking people through working material, and going over what they have produced has been a lot of fun. Coincidentally, it has also at times been rather involved! It is good to know that things are on track – plenty of internal material has been produced which will stand future initiates in good stead. When contrasted with the additional material being released by the mother temple on August 13th (as highlighted in the previous entry), I am confident the corpus will be of sufficient basis for the later work coming down the line. The future for the current is rather exciting, and for once I can say such a thing without a hint of my characteristic sarcasm.

Outside of the above work, it was good to get back to doing some of my own, more personal stuff. Around the solstice, I finally got the time to venture down back into the woods, and the forest temple space that was consecrated last year. With having been so focused on teaching others, I felt I had somewhat neglected my own personal connection to the Gods of the current. This is something I wanted to address.

The walk down to the outside space can always be a little ‘interesting’ – at that time of night, in the isolation, curious deer etc will happily follow you through the undergrowth to see what you are up to. This night however, was a bit different – the woods themselves didn’t feel particularly welcoming – almost on the edge of anger. It wasn’t directed at me – but the atmosphere felt thicker. It felt almost like it possessed an aggressive vibrancy – potent, nature energy that edged onto an almost predatory feel. This put me a little on edge – something I’m not used to experiencing when going to do workings out there. Nevertheless, I persisted; there was work to get done.

However, I needn’t have worried so much. When I arrived at the location, it was positively brimming with power, feeling like it was almost begging to be worked with. The working itself was rather short, and sweet. First, fresh spring water was poured over the small cairn built into a tree hollow out of sight from most casual visitors. This would help acknowledge the genius locii and gods of the space before anything active was worked.

Bats in flight, Ann Froschauer

With the offerings given, the circle was then opened ceremonially and properly ensorcelled. Belial was then called to the circles edge. Something that always strikes me on reflection, is just how quickly Belial comes to the call in the natural environment. This can be rather on the nose, when he specifically choses to not be very subtle about things. The temperature noticeably changed immediately after giving the call, and the whole working space becoming slightly cooler. Bats swirled around and overhead the circle, clicking audibly. Such responses are always welcome when doing evocations, as they are forms of physical manifestation which proves without doubt the operation has been a success. In many cases, it also heralds a very physical appearance by the god or spirit in question. The energy intensified, becoming thick and heavy – this however was a very welcoming energy, feeling like I had indeed returned home in many ways. It felt like being wrapped in a cloak of purest velvet night, an incredibly comforting feeling given what I had worked through to get there that night.

From here, devotional was carried out – the use of song is something I have grown to appreciate within the last few months especially. It is a good way of building relationship with the gods and spirits, and helps exercise both spiritual, mental and physical faculties which are important to ritual work and thus the theurgic evolution. Working with dedicants and initiates has also taught me how many people struggle with this aspect of our practice – almost as if they’ve been encouraged to lose their own voice by others around them, directly or indirectly. This is from an occult perspective as well as a psychological one, is revealed as something simple when analysed at any deep level – a theft of power. Being able to project our voice, should be a very natural thing – after all it is a tool given to us in order for us to work with the gods and spirits – to enjoy and celebrate our incarnate existence. It wasn’t until I started working with others closely did I realise where I was on my own journey. I didn’t even think that this could have also applied to me before I started reconnecting with the arte magickal. On reflection, it very much did. It is something I had to painfully pull out of myself. Discovering this, I felt rather naïve – a failure of introspection up to this point perhaps – but also proud of how far I’ve come and that I can help others in this fashion.

I sat there enjoying the power that flowed into and around the circle. It seemed to rotate calmly around the circles edge, like a mini, but placid, vortex. This was in contrast with some of the more fearsome evocations I have performed. For those who have not yet had the pleasure to experience such a type of evocation of one of the witch gods – the feeling can be only be described as total love and acceptance. A feeling that you are tuned back into the very real world – the one which one was born into – seeing it again with fresh eyes. I feel massively privileged every time I am able to experience this with them.

It made me think back to the element and concept of transgression within our craft. By going into the wilds, to practice connection with the primal gods, we turn away from the actual illusion we are placed under on a daily basis. We walk through a very literal veil to reconnect with what lives outside of us. By doing something we are told is somehow wrong, we are able to break through systematic layers of control and obtain freedom even in a time when such a thing is in scant supply.

As I work more with others, and see the struggle they go through to break free of social programming, I finally begin to actually see the level of control placed upon people. At an individual as well as collective level. This doesn’t always come from the usual sources – in recent correspondences with another devotee, I laid bare how sometimes such attempts for control (at an overt, or subvert level) can come from those who should have a better understanding. This runs the gamut of wider society to those who should know us best. Those unlikely places of pressure could come from those supposedly enlightened communities we may find ourselves participating in. It can even go as far as those who are even supposedly close family, lovers or friends. Often it is unconscious – the people in question dealing with their own issues but projecting outward the consequences of such onto us.

When faced with such, the only real way to deal with it is to double down. The more years I work within the Primal Current, the less, and less I feel the need for any external validation – as said in many recent blog posts, the work turn inwards to things that can be realised both in my own practice and improving the lives of those around me through the magickal work.

I don’t know quite where this post was going when I started writing it and hope this won’t turn into a ramble. I just had a small compulsion to share some insight gained and reiterated in recent workings. I’m not even sure I have been able to properly convey what is felt into the proper words. But if anything can be taken away from this post, I hope it to simply be – don’t let others take your power from you. Furthermore, that this can come from the unlikeliest of places, and is not always willfully intentioned. This is I feel an aptly timed topic, with the power of summer all around us (at least those of us who live on my somewhat dreary and rainy island which to its credit, is doing its best of late to brighten the mood).

Important note for the above is I don’t mean this from the juvenile ‘no gods, no masters’ perspective of the more dubious of the modern LHP practices. I mean something deeper – to not allow yourself to be cut off from the spiritual well which is innately open to all living creatures. To allow such should be unconscionable to those of us who understand our origins as being that of Hecate, Queen of Hell, Heaven and Earth. This seems a very important thing to reiterate in a time of various types of sociological breakdown across many levels within society.

Things can seem pretty bleak out there right now. Without going further and getting political (which would detract from the actual message of reconnection), it should be obvious to everyone that where we are is not a particularly good place (we can save the disagreements on why to another more suitable time and place). But even so, one can see the light in the darkness if one just takes the time to look – amongst the oak trees, the running water, the power of the wild that vigorously responds to the height of the sun. This is where we should find our solace, and strength to carry on.

I hope this post reaches you all finding you well, and thriving on your work with the Trident gods and spirits. For those who may feel a little disconnected – this is direct to you – remember the gods are eternal and timeless. Take off the pressure from yourself, and instead take the time to breathe. Go light a candle, say a small prayer, or do that walk and take time to enjoy things again as best you can. They will always be there, in the sound of the wind, in the glint of the sunlight, in the subtle glow of the moon, and in the rumbling of the water.

Three Faced Goddess by HeartySpades

For you, Hecate,
We walk those forgotten crossroads,

Hearing you calling us home,
May you show us the way,
In Love and In Honour


For you, Lucifer
We carry the Torches of Love and Compassion,
May you show us the means by which,
To assist and guide others,
In Love and In Honour


For you, Belial,
We sing these praises in the darkest of nights,
May you show us the way to endless joy,
To reclaim our birthright,
In Love and In Honour,


For you Sepheranz,
We keep hope alive in these times of painful transition
May you help us survive,
To thrive and choose true,
In Love and In Honour

,
For you Qayin,
We keep the hidden ways alive,
In veneration of He who blazed the trail,
Setting the example to follow,
In Love and In Honour


In the Name of The Trident,
Let the Way to the New World

Be Opened,
In Revelation’

🔱

~S~

Under the Rays of the Goddess – Souls immersed in Kalas

Posted in Primal Craft, Publications, The Path of Flames, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , on March 6, 2023 by Sypheara

So, very good news here from the burgeoning temple group in the north of the UK. Today, under the glow of the moon, the commencement of the formal training of two initiates, and one dedicant began. Whilst the coven here has been carrying out workings since the winter solstice of last year, this marks the commencement of actual teaching independent of the coven rites of celebration and practical witchcraft.

It is a great honor to be able to work with these dedicated individuals. They who have throughout all their time knowing me personally, have shown themselves to be people who will not fall short of the tasks ahead of them. The first matter of course will be teaching the basics and essentials of witchcraft, before easing them into the work contained within Queen of Hell and the temple specific stellar work. The work, formulated mainly on open exercises to help tailor it to the individuals progress, I expect to be of much benefit to them. Putting this together has, and is quite difficult, as I try to both guide but also not dictate – something important in the Primal Craft ethos of teaching. I look forward massively to seeing how things develop for our tight knit group.

In addition, personal circumstances have also opened further ways of working in the wilds. Places that are beyond warm and cosy rooms, that accelerate the work and provide direct access to the gods and spirits of the craft in Their World. One such location is primed for potential further outer gateway work. I am very excited to see where those possibilities take us in the near future.

Work with spirits of land and plant familiars also return to the coven power that was stolen and appropriated during the lockdowns. This will allow for the full return of connection to powerful genius loci, allowing its energy to flow unheeded despite the weak wills of others who seek to interfere with the craft of the wise to their own detriment.

Picture of the Full Moon, Photographer Unknown

It was also this week that there was an announcement from the Mother Temple of a new edition of Queen of Hell, containing previously out of print material as well as new essays to further expand on the original content. This has been awaited by many people – such material seen in earlier anthologies such as Devoted (I believe) finally being placed back within the Primal Craft umbrella and back in print. This will be of much help to ALOT of people – and ironically comes at a perfect syncretic time for my own group providing information with working with this material – this will be invaluable in ensuring that, on my end, nothing is missed as I facilitate learning the material and polish off my own training.

I didn’t intend to originally make this post, but the synchronicity was such I felt it would be nice to share a small update, as well as to assist the important dissemination of the work. May those who feel threatened by the success of Hecates Primal Current be silenced by the material, which speaks for itself. I feel highly blessed, and privileged, to be surrounded by Devotees who love and immerse themselves in this current!

In Hecates Name,
Bathed in Lucifers Flames,
~S~


Mailshot from the Mother Temple, released 3rd March

NEW RELEASE: EXPANDED, ENHANCED. SEMI-DELUXE, LEATHER-BOUND LIMITED RUN, PREVIOUSLY UNPUBLISHED, AND OUT OF PRINT, MATERIAL.

Dear Devotees,

We are creating new and beautiful devoted offerings in an affordable semi-deluxe category. These hand-bound tomes will not only contain material that is long out of print – they will also contain previously unpublished essays detailing work within the Mother Temple, its members, and the Primal Craft Path of Flames. See below for details and purchase/reservation options.

Returning The Primal Witchflame Gnosis in Full

I have been aware for quite some time that many of you would like to acquire the now long out of print essays – those detailing the path and giving overviews of my own work, as well as those which grant a greater understanding of not only my own journey, but the Path of Flames as a whole. For a time, a separate volume containing these and other works was considered. However, a book solely containing such work, without actual ritual application, did not sit well with anyone at the Mother Temple. What we needed was a suitable vessel in which to ensorcel these now out of print works.

In considering the above I did also take note that many people are unable to find a space on the Inner Subscriber Deluxe database.The deluxe solander boxed, millboard-bound books are made with the finest and most expensive materials in the publishing world. Added to that, many people, although they would like to, are unable to pay 600 Euros for such a book.

To that end we wished to create something that was both different, very special, and also a higher calibre than our standard Devotee Editions (classed by many as deluxe level in their own right) but considerably more affordable than the 600 euro 24 Carat Gold Leaf Super Deluxes of which there are normally only 36 copies.

SPECIAL LEATHER-BOUND ENTHRONED BEYOND AKASHA SERIES

The important aspect was reintroducing the out of print work within the Primal Craft fold and, of course, releasing it in devotional hand-bound Grimoires. During communion with Hecate, the instruction to create The Special Limited Enthroned Beyond Akasha Editions was received. These Special Expanded and Enhanced Limited Number Hand-made editions, bound in leather, would be the magickal vessels into which the out of print work would be ensorcelled. They will also contain previously unpublished material in the form of Work from The Mother Temple and Essays detailing the personal path of those inner temple members. The books will also include some previously released tutorials that we believe assist and compliment the work within them. Including, in the case of Queen of Hell, a 6 month ritual instructional template guide to releasing the power and accessing the gateways woven within the book.

The First of these Expanded and Enhanced Enthroned Beyond Akasha Editions:

Queen of Hell – Dark Moon Huntress Edition

This beautiful grimoire is our devoted offering to Hecate in Her role as Queen of Hell. The leather is the colour of the Bloodstone, attained beyond the Gate of the Silver Star. It is also the colour of the Red Andalucian (Atlantean) earth within which the Mother Temple rests, secreted in a forest grove. Lastly, it is reminiscent of the Dragon’s Blood incense used to ensoul the Books with the Bodies of the Gods. As soon as the test binding arrived – we knew this was the perfect cloak in which to ensorcel this body of work. The quality of the artisan binding is nothing short of exquisite. I have included a few photographs to illuminate its beauty, but we are not revealing the actual seals and sigils just yet.

The Special Dark Moon Huntress Edition of Queen of Hell – the First of the Enthroned Beyond Akasha series – will be Hand-Bound in a limited run of only 333 editions, fully bound in Bloodstone Leather. Heavy boards. Silk Book marker. Printed on the finest most luxurious paper in the publishing world. Quality, thick black endpapers – stamped in gold foil. Outer covers stamped front and back in gold foil with the Sacred Seals of The Primal Witchcraft. Gilded pages. Spine stamped in gold with name, title, Primal Craft Seal. Spine stamped with 3 double gold spine bands (6 gold lines) Price 140 Euros plus shipping.

PUBLICATION DATE AUGUST 13TH – PRE-ORDER NOW OPEN – Limited to 333 copies – single run

We expect this edition to sell out. Pre-order your copy to avoid disappointment

Click the link to reserve your copy of this luxurious tome:

CLICK TO PURCHASE QUEEN OF HELL

SPECIAL DARK MOON HUNTRESS EDITION

Contents:

Full Queen of Hell Grimoire

Additional Contents:

1. Two previously out of print essays (out of print circa 2008 and 2009 respectively) detailing overviews of my own Primal Craft Path.

2. One New Previously Unpublished / Unreleased Essay

3. Ritual Template Guide to employing the work within the tome. This explanation will aid your understanding of the work within the tome and guide you over a 6 month period – allowing expansion of magickal abilities and elevation upon The Path of Flames

4. Two Previously released – now reworked – tutorials that we believe vastly compliment and assit the work within Queen of Hell:

Sexual Magickal Possession – The Key to unlocking power within the Primal Craft Grimoires.

Godform Assumption – Trance Mediumship and Communion with the Beloved.

Price 140 Euros plus shipping.

PRE-ORDER NOW OPEN!

Reserve your copy of The Dark Moon Huntress Edition of Queen of Hell by clicking the link:

CLICK TO PURCHASE QUEEN OF HELL

SPECIAL DARK MOON HUNTRESS EDITION

Details of The Enthroned Beyond Akasha Editions

This is a one off edition strictly limited to 333 Hand-bound lether bound, page gilded copies.

There will be no standard version of this tome. We have a Devotee Edition of Queen of Hell. If you wish to collect and own the Full Body of Primal Craft Work – the essays, tutorials and ritual guide – in special edition books; it is recommended to acquire this edition.

There is no limit on the number of copies you may purchase. However, this limited edition will be sold on a first come first served basis. Those devotees who acquire the Dark Moon Huntress Edition will be given first refusal upon release of The Enthroned Beyond Akasha Special Editions of The Red King and The Scorpion God.

The cost of using such beautiful materials is relatively high. I have kept the price of the books as low as possible whilst sustaining the release of the full Enthroned Beyond Akasha Series. To that end we are not making presentation boxes – that would push the cost to high. It is our aim that those people who seek the full body of work – the out of print essays and those who wish to own a special book that is treasured above their working devotee editions – may be able to to acquire all the above with these special edition grimoires.

Despite the many worldwide changes and the extra weight of the books we have opted to keep our postal costs frozen – they remain the same as they were in 2012.

Publication Date: August 13th – Pre-order now open.

We expect this edition to sell out. Pre-order your copy to avoid disappointment

Reserve your copy by clicking this link:

CLICK TO PURCHASE QUEEN OF HELL

SPECIAL DARK MOON HUNTRESS EDITION

Each Book will be Hand-numbered, Signed, Sigilised and Individually consecrated as The Dark Moon Huntress aspect of The Body of Hecate. Woven within the consecrations and into the pathways within the book is the Gateway to the Queen of Hell’s Throne.

The Legacy of Primal Craft

Right now every aspect of our lives is immersed in digital technology. But mark my words, one day it will all be gone. several large blasts of EMP or a sufficiently large cataclysmic event (be that man-made or ELE via the rebalancing of World Soul) – and that is it! Books however, will always survive. Not all of them – but enough. Come fire, flood, quake. There will always be surviving people and there will always be books. For the continuation of its praxis, the Current, and the Understanding of The Primal Craft as a whole, this is extremely important. Be it descendants of collectors or practitioners, that which is ensorcelled within printed, hand-bound books, will support the legacy of the Primal Craft – aiding those who pass the praxis on to their kin; awakening those who rediscover this Arte. This was at the forefront of our minds when we sought the requisite vehicle through which to return the gnosis in the essays and place into the grimoires some of the tutorials and guides.

QUEEN OF HELL – ENHANCED, EXPANDED DARK MOON HUNTRESS EDITION

Price 140 Euros plus shipping.

PRE-ORDER NOW OPEN!

Reserve your copy of The Dark Moon Huntress Edition of Queen of Hell by clicking the link:

CLICK TO PURCHASE QUEEN OF HELL

SPECIAL DARK MOON HUNTRESS EDITION

Immerse the Soul. within the Current, in Truth,

Cross not, the Scythe Lord, Qayin,

Break not the Pact,

Betray not the Emissary,

Drink Deep of Sepheranz’ Grail,

Hold Fast to the Path of Flames,

In the Shadow of Belial’s Trident,

Cast By Lucifer’s Fire,

In Nomine Hecate.

Mark’

Success through Putrefaction – Third Initiate, Black Degree

Posted in The Path of Flames, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , , , , on November 27, 2022 by Sypheara

It is with the utmost pleasure that I make an announcement in regards to the Temple work here.

Those who follow the blog may remember that, this time last year, one of our initiation candidates passed their ordeal and was initiated fully into the Black Degree.

Well it is again a great joy to confirm that another candidate has been successful at passing their ordeal, and acquiring the black degree as part of our ongoing work.

This particular candidate I have worked with on and off for over seven years now, and always pondered whether our work would eventually dovetail within the same house, as it were. I would never have believed that this would be the year they would undergo the Trial of Putrefaction – going on to succeed above and beyond my expectations. This period of work follows a time of very intense, close workings with the Trident – work that was carried out over the preceding last three months.

This, as always, was required to assess whether they were both suitable and ready to take this large step. These rites needed to be performed by the seeker, as well as verified by me as Magister to ensure that everything aligned properly and that it was right to continue.

This comes after a year of hard work, trusting in the Gods to ensure that the temple plan unfolds as it should – directed by our growing, collective will. The candidate made the leap with committed heart and devoted soul – bringing the alchemical change required. This was no small task – the initiation rite is designed to test, push and break the candidate where it can.

I was in no real worry that this candidate would fail however – the signs bringing them firmly onto the Primal Current were not subtle ones – waking visions of Belial physically showing the Trident being just one obvious manifestation of their will and intent. This was confirmed with a series of divination and evocational works – some completed individually, some with me being present within the rites to facilitate as well as simply enjoy the ritual.

Fire Covenant by Rovina Cai

Physical manifestations, such as fire turning vivid green without any tainting of the fire with the likes of copper, as well as powerful animal possessions sealed the deal in regards to the initiation going ahead. Such invitation by the gods made it clear to me as to the direction it would go and it became undeniable in how it unfolded – these instances were all startling in their potency, if not surprising considering the depth and power involved in both their nature and surrounding circumstances.

With all of this this now reified with the initiation itself, I now turn my attention to completing the write ups of three, major theurgic rites conducted over the Samhain period. It is my intention to rest on my laurels a bit – just a bit – to allow for the task of getting resultant gnosis pulled out and put onto paper. Without this, there can be no expansion to push further myself whilst also giving attention to the initiates who will now need direction and assistance to make the most of their path. Going into the new year, I hope to turbocharge things a little bit.

I will end this post here, but it is with joy i’ve been able to type the above and make this known to the wider primal craft community.

Many Blessings,
In the Name of the Trident,
Carried on Lucifers Flames,
~S~

Portals of Flame – Earthing the Current of the Stellar Temple Gate of Lucifer

Posted in Luciferianism, Occultism, Paganism, Stellar Gnosis, The Path of Flames, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , , , , , , on October 7, 2022 by Sypheara

Here we are, going into Samhain, and I am still playing catch-up! The midsummer solstice, and the impacts of the work coming out of that time, knocked me for six. In a very good way – so much has changed, altered, opened for myself and temple since then that every time I’ve sat down to write this entry, something else would occur which necessitated deep work and reflection to tackle and integrate it. Whether this was work for the current, for myself, or the initiation candidates, something would come up meaning the blog posts came bottom priority. Many of these events have been very profound – the kind of experience where writing about them seems almost exhibitionist. As such, I’ve chosen to focus on purely the more ‘formal’ rite which was carried out earlier this year for this belated blog post.

For context – the above was not entirely unexpected. Opening each stellar gate, has been an increasingly complex process up to this point. The opening of the first gate, with the Temple Familiar gifted by Belial through the Seal of the Ascending Winged Skull, took a matter of months – albeit the physical effects took years to both integrate and fully recover from. Hecate’s Stellar Gate similarly came through relatively quickly, to balance the initially unexpected black stellar energies released via the Ivory Spider.

Lucifer’s was more of a slow burn – requiring the evocation and integration of all three great elemental dragons – something that could be done fully only in the places where they most strongly reside. This required roughly two years of work and planning. As such, when contrasted with the Lilithian build up, I knew that opening this particular gate would be very demanding.

In total, no less than three wood cuts, and one full wood engraving block would be used in opening this gate at the temple here. The gate stele itself was cut into an engraving woodblock, made of birch. On one side, the temple specific channelled variant of the Seal of the City of Pyramids was inked, on the reverse, the specific key to unlock that seal fully given through the work with Lilith. The remaining four sides of the wood blocks were filled with Theban script – three sides, the formula of the synchronomicon, the final word being one of draconic origin released in the final work.

Each wood cut was adorned on one side with its related draconic seal, and on the flipside, its related draconic key.

Fomalhaut, the Royal Star of the South, by Davide De Martin

The ritual to open the gate was a strenuous one. Donning the ritual mask of Lucifer, firstly, each dragon gate was opened within the circle itself. This was possible thanks to the power already granted in previous possessions – without which none of this would have been possible.

Each opening necessitated each front seal being covered in blood, following a formal unlocking at blade point and subsequent blooding of the rear key sigil. As each was completed, the power of the corresponding dragon flooded into the circle. The feeling that accompanied these steps was not initially one of ecstatic empowerment – instead this initial, preparatory stage felt more like wading through a liquid. A liquid that simply grew in viscosity as more power was drawn into the working space as each woodcut was worked through individually, each power point and line receiving the necessary attention the act required.

The final quarter to be opened would be different. Here, stood the clear mirror of the arte used at the temple for a variety of rites. In front of it, the stele of Lucifer’s gate was placed, flanked by candles, leaving space to carry out the needed ritual operations. To the left, a blooded sigil of Surgat lay, and on the right, the physical skeleton key empowered by Lilith in the previous working. Both Witch Gods were called to lend their power to the rite.

When the time felt right, the front of the stele, as well as surrounding words of power were blooded. Lilith’s key was then utilized on the gate seal, to open it in widdershins fashion. With this prepared, the gate was turned and the key seal of the stele blooded. Finally, it was necessary to repeat the last two steps on the mirror itself. With each symbolic act, the locks placed on the soul were also released, and with words of power, the mirror gate came alive.

Formal request of Lucifer, through the opened mirror gate, to release the power of his stellar gate thus prepared, began a series of possessions. Like sunlight filtered through a lens, the power surged through the mirror and into the body. Strangely, it was not Lucifer who came first – but Vassago, coming clean out of the mirror. His silvered body glowed with such intensity, as his appearance took me entirely off guard – it was not the horned god I had initially expected! His chosen form so mercurial it seemed to flood out the clear surface, which in turn, now rippled like the surface of water.

Now behind him came Lucifer, appearing in horned, reptilian form – his energy in comparison was darker, more red and black, and in swirling kaleidoscopic currents the possession intensified. It was in this act that the necessary alchemy was completed, and the resulting completed stele marked.

The traditional goetic appearance of the daemon Vassago. Very different from the mercurial visions this spirit often gives me!! Artist unknown.

I lay there for awhile, just recovering from the energy release. In many ways I was still in shock, as the process was very different to what I had initially expected – this was a great learning exercise. Even with all the gnosis processed as to how to perform a rite, only by actually doing it is full understanding gained – something which cannot be guessed going in without the potential for being humbled by the experience.

With the above done, this marks the end of a cycle of intense workings. I don’t expect these to get any easier, but I must now for a little time, turn my attention to my initiation candidates. I have been blessed with two candidates of strong potency and devotion – and both are at a stage where initiations could be reasonably performed into the Black Degree.

As the year dies, my mind goes towards the blogs future. As more and more work intensifies, as alluded to in the opening, my view on many things has changed. Next year will mark the ten year anniversary of me starting this blog – what was meant to be only a small little working curio diary, has grown far beyond what I had initially planned. We are a full ninety posts in at this point, and many of the goals I initially set have either been met, or I have simply grown beyond. As my more work becomes Temple based, more intimate and deep, I do anticipate that there may be many necessary changes yet to come.

I will update people as I go, regarding any plans. I hope everyone a fantastic run up to Samhain, and thank you for reading.

May the Lord of Light,
Show you the Way,
Back to the Stellar Paths,
Long forgotten by the Race of Man,

In Lucifer’s Name,

~S~

The Key of Night – Opening the Way of Stellar Fire

Posted in Luciferianism, Necromancy, Occultism, Paganism, Stellar Gnosis, The Path of Flames, The Temple of the Ivory Spider with tags , , , , , , , , , , , , , , , , , , , on April 22, 2022 by Sypheara

It has been awhile!! Back end of last month, I finally ended up catching Covid. It gave me a kicking but two and a half weeks later I feel for the most part pretty well recovered. Mentally and spiritually I feel in a good place, and the above notwithstanding, it has been a pretty productive period since the last entry here.

The main working since the previous blog post was a ritual I carried out with the goddess Lilith. Lilith is very misunderstood in the modern occult scene – ironically by the supposed LHP practitioners as much as anyone else. Thus they miss the forest for the trees – focusing on her shallow aspects rather than the transformative power she and her realm, Gamaliel, brings.

Lilith by Anato Finnstark

One of the things Lilith gifted to me, coming up to two years ago now, was her key. This was given with crystal clarity in astral travel. This key, referred to as simply The Key of Night, is a required component in unlocking Lucifers Stellar Gate. At the time, I was not ready to make use of it – the final dragon rite had not been completed and blocked its use in full. As such, there could be no approach to actually unlocking the gate, and thus no need to physically embody this tool.

However with the completion of the last Dragon Rite, it became imminently important that this Key was to be physically created. It would be necessary to properly do this so that it could be used as a tool in the opening of the gate itself, a required step on the theurgic path.

In order to do this, I got myself ahold of an antique skeleton key – one that was quite substantial, and made of iron. This would be a fitting, physical seat for the power to be brought through. From this point, it was therefore all about how to correctly pull through the required essence, and ensoul it into the chosen object. I.e. How to pull that energy from her, permission to do so which she had already granted me, in a way that would make it useful for what was to come. This was eventually accomplished; the final method not being unlike the usual method of these things, but with some needed modifications.

Firstly, the key was adequately cleansed to ensure it was rid of anything that would interfere, as well as being brought correctly into the service of the Arte. Then, the working area was prepared and the circle itself was brought up to full power using the necessary calls. In turn, this preliminary work was followed by focused invocation to possession up to Triformus level.

From here, both Hecate and Lucifer were evoked, in order to properly moderate the influx of energy. This was in turn required to stabilise the focal point that would be opened to call Lilith through. The tool utilised for this was my clear, full length mirror – something I have used the stellar rites here before.

Meanwhile, I burned powerful loose incense on coals in front of the mirror gate as both offering, and to empower this already sanctified tool further. This incense blend is one of my own, a mix of benzoin, myrh, frankincense and various herbs sympathetic herbs. This helped to greatly intensify the coming work.

Key picture by OrianaNiChearnaigh

The mirror, placed within the east, was where Lilith was transvoked. The placement of the mirror in the East of the circle was done on pure intuition – something I have learned to trust on this path. Lilith was then evoked through the mirror, using both call, smoke, and blooded seal – the one that had been originally granted in dream.

With her present, and the initial groundwork contact made, she was invoked into the body. This was done using the key itself. This act was one of the components of the formula as whole, so that when combined with spoken pact, the link would be made in full. The possession that followed was difficult, more taxing, than I expected. Whilst sexual in nature, there was an element of resistance, which had to be overcome on my part. Working in such a way is not what many people envision – sometimes this process can be pure stellar bliss, other times it can be a dark and trying experience. This was the latter – with invasive imagery resplendent, which I realised quickly was a test. It was vital that I pushed through, claimed what was given, and completed the merge in full. Anything else would be to fail in pulling out the required energetic link buried deep within the subtle body. Eventually, much to the amusement of the other party it seemed, everything fell into place. After recovering, in front of the mirror, the key was anointed with the resulting possessed blood, elevated by the energy of the collapsed waveform. Note, those who can read between the lines can guess how else the key was further empowered.

Holding it aloft in both hands, I immediately utilised its form to request from Lucifer the final, inner seal required for opening his stellar gate. This was delivery quickly, and automatic writing used to commit it to the working temple books. Once complete, the key itself was lovingly wrapped up and placed in the northern quarter of the circle. The energies of the self and circle were allowed to stabilise, before being lowered and eventually brought down to baseline with the closing of the rite itself.

With the key empowered, it now falls on me to burn the required dragon seals into prepared pine disks, before completing Lucifers stele itself in the birchwood blocks. Once this is complete, disk, block and key will be utilised to complete the final working in this series. This will make a longer period of working on this specific gate than I could ever have expected – a more complex series of working being sent than I anticipated. With it complete, the road to Belials Stellar Gate will be open. All that is left, is to try and draw this all together. I wanted to do this on Beltane, but with that date being too unrealistic thanks to my illness, I expect the next attempt to be around midsummer.

I am excited to finally be able to tackle this, and feel like I’m making very real progress. I will hopefully have an update re that work around then.

One of the other things I wanted to mention in this post may seem small, in comparison. But it seems an important message to relate. In dream, the other night, Sepheranz came to me and told me something important. This plays into the previous theme above – about creation of working tools and devotional items. She showed me a particular number, and told me to avoid having a slavish devotion to perfection. Upon waking up I pondered what this might mean – personally for my own practice. In some ways, I think it is that sometimes the fear of failing can stop us in some ways tackling stuff we are less confident with – but without doing so, we will never grow and learn. It has certainly made me want to really tackle the burning of these new seals in full, without overly worrying about result. Materials are not impossible to come across and replace anyway. Being afraid of taking considered leaps, in this path, isn’t really an option if you want to succeed in Theurgy.

Reaper by BuraKulker

Recently, the primal craft instagram has recently put out some wonderful images of devotional items created by a dedicated devotee. I’d like to highlight these as well, as the groundwork (by both devotee and Magister of the Mother Temple) has finally been done to enable them to be shared to the wider public. May they serve as an inspiration to other devotees to give things a shot. Whilst the person who created these items is very skilled, the connection forged by working with your own hands is second to none where it can be carried out. My wood blocks look, artistically, as if a child had created them in comparison with this devotees work. But the power that exudes out of those blocks, that is foundation for the temple here, is enormous. Take the leap. Do your best. Enjoy the process, and the great results will inevitably follow. For in that work, there are a lot of great rewards to reap.

I will leave this post here, as it has been difficult to get formulated and out. I hope you all had a wonderful Ostara period, and are looking forward to Beltane which is soon arriving.

With Torch,
With Knife,
With Key,
A Goddess of Hell,
Opens the Gateways of Heaven
For those of Brave Heart,
And Committed Soul
~S~

Small Update: Imbolc Blues, Lucifers Eye

Posted in Folk Belief, Luciferianism, Occultism, Paganism, Stellar Gnosis, The Path of Flames, Traditional Witchcraft with tags , , , , , , , , , , , , , , on January 28, 2022 by Sypheara

Just a small update from myself, as we come into the new year proper. It has been a bit quiet here lately – some family things have needed attention, and I have also been taking some time to myself to simply enjoy life; mainly focusing around having gratitude for what (and who) I already have and how far I’ve come. This has not come easy for me, as someone whose mind is always focused on aiming for the next goal. But being present in the now is something I have learned to embrace within the last few years. To stand aware, at the Crossroads, centred, empowered and without distraction is a power in itself.

This breather has been pretty useful in terms of recharging – and I expect February / March to pick up in terms of Occult practice as well as finally beginning physical work on the space here.

Cover of Middle-Earth Quest: A Spy In Isengard, Angus Mcbride, 1988

It hasn’t been all quiet though. I have used the recent full moon to correctly pull through the final seal required to complete the set of six required to open the Stellar Pillar Gate of Lucifer. This marks the culmination of the Dragon works I began with Leviathan back at the end of 2019, and puts me firmly on track to explore opening that come Beltane at the latest. This would only leave Belials to complete, before the Planetary Work, and then the preparation for Abyss Crossing can be finally tackled. For this, I estimate a further three to five years will be required.

One of the tools necessary to carrying out the opening of Lucifer’s Pillar Gate is a crystal sphere. This is required to focus, amplify and direct the energies brought through in possession. It is the glue for all of the Dragon Gates in this working. The Eye of Lucifer is the counter-part to the Eye of Hecate within the circle as well. I’ve wanted to get a sphere for Lucifer for sometime – at least a year – and finally I went searching for one. I was aiming to find one similar in diameter to the obsidian sphere I already have for Hecate, and one that I could scry that would be suitable for the job. Only a crystal with natural alignment would do – reconstituted quartz would not do – and ideally for this, one that was also not lab produced. Even with all these boxes ticked, that still didn’t necessarily mean it would have the ‘feel’ and thus be suitable for the job.

Finding a crystal that fulfilled these requirements took some doing – and it certainly did not come cheaply. But I finally managed to find a perfect sphere for this work – one suitable for Lucifer. The sphere I found is one made out of White Petalite, a lithium ore, and was a very lucky find. Upon its arrival here, it was consecrated in the Eastern Quarter with the energy of the Perfect Red King of Sulphur. This involved the use of a full ritual circle, with the energies raised within it to as high level as I am personally capable. The consecration was done using transvocation – with Lucifer first invoked into the body, then evoked into the sphere itself. This ensured that the eye was opened fully, without any room for an incomplete job.

The Eye of Lucifer, before empowerment, self taken

The resultant Eye of Lucifer is in actuality slightly larger than the Obsidian Sphere I have for Hecate. This is likely due to measurement errors on behalf of sellers, as both are approximately 160mm, the newer trending towards 165/170mm. Already naturally quite powerful in terms of solar energy, the amount of power that can be drawn through after consecration feels extreme. It also must be kept in mind this is even before the empowerment has had time to fully settle… it not even being one lunar cycle since the above work was conducted. Just looking upon it I feel like my power is amplified, with images swirling into my minds eye through the powerfully opened vortex. This increases even further by simply placing ones hands upon it and staring deeply into it.

I look forward to experimenting with not just Lucifer’s Eye, but also using in conjunction with Hecate’s, whilst projecting outwards (or peering inwards..). This should make for very, very powerful results. With the left hand on Hecates Eye, the right hand on Lucifers, this will be something to really experiment with to go Beyond.

The Eye of Lucifer in the Mirror, before empowerment, self taken

There are still a few none trivial details to pull through next – and that is how to formulate the given seals, the given key, and other necessary ingredients to effectively open the gate. This is what I’ll be working on within the next six weeks. This may require additional wood to burn to physically create the dragon seals, as well as a potential special oil formulation. This oil may be needed to dress and thus anoint the physical representation of the Key of Lilith – that which was given after completion of the Earth Dragon rite – and seems to play some form of role here.

More channelling work will be required to digest all of this. I am going to leave this small entry here, and I wish everyone a very happy if slightly premature Imbolc.

And as such, better get working on those Brigids Cross skills (something I was never particularly great at!!!).

Adder, by pronature

Thig an nathair as an toll
Là donn Brìde,
Ged robh trì troighean dhen t-sneachd
Air leac an làir.


The serpent will come from the hole
On the brown Day of Bríde,
Though there should be three feet of snow
On the flat surface of the ground.’


Ave Lucifer,

~S~